
Tonal values are a critical aspect of creating a successful painting composition. Lights and darks, or tonal values, contribute more to a painting's composition than any other factor, including colour. Artists use a value scale to describe how values change between black and white, with the most common scale being Denman Ross's nine-step value scale. In traditional painting, the value key is often pre-determined by the scene being depicted, with gloomy scenes tending to be low key and bright scenes tending to be high key. Artists can also choose to compress the value range to emphasise the mid-tones, which allows for more vibrant colours as most colours reach peak saturation in the mid-tone range. This technique is often used by Impressionists to utilise more colour in their paintings.
| Characteristics | Values |
|---|---|
| Tonal values | Lights and darks contribute more to the success of a painting's composition than any other factor, including colour. |
| Value key | Refers to restricting the set of values from previously generated value scales to express something more deliberate. |
| High key | Push all the values in your painting towards the lighter end of the value scale. |
| Low key | Compress the value range towards the darks. |
| Middle key | Compress the lights and darks, so you are only painting within the mid-tones. |
| Tonal value | An important fundamental within art, used to create visual art. |
| Value scale | A way of describing how values change between black and white. |
| Tonal progression | Precisely seeing the distribution of light over a particular shape and then painting tonal progressions to mimic it. |
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What You'll Learn

Understanding tonal value
Tonal value, or value in art, is a critical fundamental element that plays a huge part in creating visual art. It is part of a family of visual components called the 'Elements of Art', which can be used individually or together to create paintings, prints, photographs, patterns, designs, or sculptures.
In simple terms, tonal value refers to how light or dark the different elements of a painting are. The tonal values of a painting are a major factor in creating realistic-looking representations. The lights and darks contribute more to the success of a composition than any other factor, including colour.
In traditional painting, the value key is often pre-determined by the scene being depicted. For example, a gloomy day will be a low key with darker values, while a bright, sunny day will be a high key with lighter values. A value scale is a way of describing how values change between black and white, with the most common scale being the nine-step value scale developed by Denman Ross.
When painting, it is generally recommended to compress the value range to some extent, as working with the full range of values can be challenging. Painting within a high key, for example, involves pushing the darkest darks towards the mid-tone range and then compressing all other values within this new range. This allows for more vibrant colours, as most colours reach peak saturation in the mid-tone range.
Understanding and effectively using tonal value is essential for creating successful compositions and bringing clarity and depth to your artwork.
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Using a value scale
A value scale is an important tool for artists to learn how to draw and paint. It is a range of values from light to dark, usually depicted as a rectangular shape. Artists often use a 9 or 10-value scale, but some start with a simpler 2 or 3-value scale, and work their way up. The 2-value scale, or Notan, uses only white and black. The 3-value scale adds a mid-grey.
When creating a value scale, you can use any hues. However, it is important to note that the value of a colour may change when placed in the scale. For example, a colour you believe fits in one slot may need to be moved to another. It is recommended to label swatches and keep them in an envelope for future use.
When painting, you need to mix different values on your palette and then paint them into position. You can start with white and black, and mix the grey values in between. Then, add the other colours. It is generally recommended that you compress your value range to some extent, as it can be difficult to manage a full range of values.
The impressionists are known for painting in a high key, which pushes all the values in a painting towards the lighter end of the value scale. This allows for more vibrant colours, as most colours reach peak saturation in the mid-tone range. However, this method does compromise the value structure of a painting to some extent.
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Creating a monochromatic underpainting
Tonal values are critical in painting. The lights and darks contribute more to the success of a painting's composition than any other factor, including colour. A monochromatic underpainting is a traditional and classic approach, made with only a single pigment colour. This is applied thinly in an additive and subtractive manner to achieve a full range of values.
When choosing a colour for a monochromatic underpainting, it is important to select a dark enough pigment to hit the darker notes in your painting. Colours with darker mass tones like ultramarine blue, burnt sienna, or burnt umber work well, while lighter or medium-valued colours like yellow are not suitable. Lighter values can be achieved by wiping away excess pigment to reveal the underlying white of the surface.
The colour chosen will influence the direction of the painting, so it should be chosen in response to the colours of the scene. For example, an underpainting in ultramarine blue would suit a scene with a lot of blues, such as a sky, water, or shadows.
Monochromatic underpainting is a useful technique for beginners, as it is easier than a two-colour underpainting. It is also a good way to create tonal studies that are beautiful in their own right. However, it is important to note that the initial strokes of full colour may look out of place against the monochromatic underpainting until more coverage is achieved.
When painting in a high key, you push all the values in your painting towards the lighter end of the value scale. This means your darks become mid-tones, and your lights remain around the same value. This technique can make your painting more vibrant and colourful, as most colours reach peak saturation in the mid-tone range.
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Painting in high key
Painting in a high key involves pushing the values in your painting towards the lighter end of the value scale. Your darkest darks become mid-tones, while your lightest lights remain the same. This compression of values towards the lighter end of the spectrum creates a glimmering effect, with colours appearing more vibrant and harmonious.
High-key paintings are often associated with Impressionist artists such as Claude Monet, who utilised more colour in their paintings. Instead of blacks and browns, they used rich greens, blues and other colours to create beautiful displays of colour.
When painting in a high key, it is important to remember that you are compromising the value structure of your painting to some extent. You will not be able to rely on strong value contrasts but instead on complex colour harmonies to create interest. This technique can be challenging as you are painting outside of the way things ordinarily appear.
To paint in a high key, you can start by identifying the lightest and darkest areas of your composition. Then, push the darkest areas towards the mid-tone range while keeping the lightest areas the same. This compression of values will create a brighter and more colourful painting.
It is recommended to experiment with different value scales to improve your ability to see and capture values from dark to light. By breaking the value scale in half, you can focus on the high-key values in one painting and the low-key values in another. This exercise will sharpen your eye and improve your artistic skills.
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Painting in low key
When painting in low key, it is important to be careful that black does not dominate the painting, as this can cause details to get lost in the shadows. One way to avoid this is to use small bursts of light colour to act as powerful accents. This creates a sharp contrast and is a great way to create the illusion of light.
The Italian concept of Chiaroscuro is an example of a low-key painting style, using bold areas of dark with whispers of light to define forms. This style often uses "lost and found" edges. Lost edges melt into darkness, and found edges are the well-defined hard edges of a lit surface.
By painting in low key, you can train your eye to see into the shadows and the lights and to tease out the subtle nuances between them.
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Frequently asked questions
Tonal keys in a painting composition are similar to the notion of a key in music. Just as a musician picks out a specific subset of notes that work well together, a painter restricts the set of values from a value scale to express something more deliberate. The three primary tonal keys in traditional painting are high, middle, and low keys.
A high tonal key is created by pushing all the values in your painting towards the lighter end of the value scale. Your darkest darks become mid-tones, and your lightest lights remain around the same value. This compression of the value range towards the lighter end results in a more vibrant and colourful display.
A low tonal key is achieved by compressing the value range towards the darker end of the spectrum. This means your lightest lights become mid-tones, while your darkest darks remain relatively unchanged. A low tonal key can be useful for painting a gloomy scene, for example.
Tonal keys allow you to be more deliberate in your choice of values and to express your intentions more clearly. They can also increase the harmony between colours, creating a glimmering effect. Additionally, by using a restricted value range, you can paint with more saturated colours.
To identify the tonal values in your reference image, you can convert it to a black-and-white image. This will help you identify the different values of light and dark and ensure your painting has a harmonic and balanced light and dark value range.











































