Elena Rossi
The Temple of Flora is a painting by Samuel Colman (or Coleman), an American artist. The painting is oil on canvas and measures 45.7 cm by 61 cm. It is currently held in the Tate Britain Museum in the United Kingdom. While the exact date is unknown, the painting is estimated to have been created around the same time as some of Colman's other works, such as The Destruction of the Temple (1835) and The Edge of Doom (1836). The Temple of Flora was purchased in 1952 and is part of the South Somerset Heritage Collection.
| Characteristics | Values |
|---|---|
| Painter | Samuel Colman (or Coleman) |
| Painting Medium | Oil on canvas |
| Dimensions | H 45.7 x W 61 cm |
| Museum | Tate Britain, United Kingdom |
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What You'll Learn
The painting is oil on canvas
The Temple of Flora is a painting by Samuel Colman (or Coleman). The painting is oil on canvas. It was uploaded to FineArtAmerica.com and Pixels on April 7th, 2016, and February 2nd, 2016, respectively, by MotionAge Designs. The painting can be purchased as a canvas print, framed print, art print, poster, metal print, acrylic print, wood print, home decor, throw pillow, duvet cover, shower curtain, phone case, apparel, and more.
The painting depicts a temple dedicated to Flora, the Roman goddess of spring and flowers. Flora was often depicted in art and literature as a beautiful woman surrounded by flowers and greenery. The Temple of Flora painting by Samuel Colman likely draws on this traditional representation of the goddess.
The painting is medium-sized, measuring H 45.7 x W 61 cm. It was purchased in 1952 and is now part of a private collection. The owner of the collection has chosen to keep their profile private, so the exact location of the painting is unknown.
Samuel Colman (or Coleman) was a British artist who lived from 1780 to 1845. He was a contemporary of renowned artists such as John Constable and J.M.W. Turner. Colman's work often focused on landscapes and nature, with a particular interest in trees and grass.
The Temple of Flora is a beautiful example of Colman's artistic style and his ability to capture the beauty of nature. The painting's warm colours and intricate details invite viewers to appreciate the splendour of Flora's temple and the natural world it represents.
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It measures 45.7 x 61 cm
The Temple of Flora was painted by Samuel Colman (or Coleman). The oil on canvas painting measures 45.7 x 61 cm. This relatively small artwork, purchased in 1952, is currently housed in the Tate Britain Museum in the United Kingdom.
Colman was a United States-based artist, and his works are exhibited in the US as well, including at the South Somerset Heritage Collection. The Temple of Flora is not the only one of Colman's works to be housed in the Tate; Storm King on the Hudson (1868), The Edge of Doom (1836), and The Destruction of the Temple (1835) are also exhibited there.
The Destruction of the Temple, another work by Colman, may be related to a similarly named work by George Henry Laporte, dated circa 1835. It is not clear whether Colman's painting is the earlier version, or if it was painted later.
The Temple of Flora is one of Colman's smaller works. For example, his painting Venice (1875) is also an oil on canvas, but it measures 61 x 91.4 cm, which is almost double the size of The Temple of Flora.
The exact dates of Colman's birth and death are unknown, but he was active in the 19th century.
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It was purchased in 1952
Samuel Colman's "The Temple of Flora" was purchased in 1952. The painting, which is oil on canvas, measures 45.7 cm high and 61 cm wide. It is currently held in the collection of Tate Britain in the United Kingdom. The date when the painting was created is unknown.
The painting has been in the possession of various institutions and individuals over the years, with its earliest known owner being Samuel Watts (1774-1843), a solicitor from South Somerset. It is not clear how or when the painting came into the possession of Watts, but it was likely during his lifetime between 1774 and 1843.
After Watts' death, the painting may have changed hands several times before it was eventually acquired by the Tate Britain museum. The Tate is a renowned art gallery in the UK that houses a significant collection of British art from the 1500s to the present day, including works by J.M.W. Turner, John Constable, and William Blake.
The acquisition of "The Temple of Flora" in 1952 added a significant work by Samuel Colman to the Tate's collection. Colman was a prominent artist, and his works are held in several notable collections beyond the Tate, including the Metropolitan Museum of Art in New York and the Fine Arts Museums of San Francisco.
The painting "The Temple of Flora" is a valuable addition to the Tate's collection, providing insight into Colman's artistic style and contributing to the broader understanding of British art history. The Tate's acquisition of the painting in 1952 ensures that the work is preserved and accessible to the public, allowing art enthusiasts and scholars alike to appreciate and study Colman's artistic contribution.
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It is exhibited at Tate Britain
The Temple of Flora, painted by British artist Samuel Colman, is exhibited at Tate Britain, a gallery in London that houses a rich collection of historical and contemporary British art. Tate Britain is one of four galleries in the Tate network, and it specifically showcases the very best of art from across the United Kingdom.
Having The Temple of Flora exhibited at Tate Britain is significant for several reasons. Firstly, it showcases Colman's talent and contribution to the world of art. Colman was a prolific and versatile artist, known for his landscape and decorative paintings, and having his work displayed at such a prestigious venue ensures his legacy is remembered and celebrated.
Secondly, the painting itself is a stunning example of 18th-century British art. It depicts a scene from Ovid's 'Metamorphoses', and through its intricate detail and rich colours, it encapsulates the artistic style and aesthetic of that period. Visitors to Tate Britain can immerse themselves in this painting and gain a deeper understanding of the artistic techniques and themes of the time.
The exhibition of The Temple of Flora at Tate Britain also contributes to the gallery's overall narrative and mission. Tate Britain aims to showcase the diversity and richness of British art, and by including this painting in its collection, it highlights a significant work that may have otherwise been overlooked or unknown to the general public.
Finally, the presence of The Temple of Flora at Tate Britain reinforces the gallery's educational and cultural role. Visitors, art enthusiasts, and students can study and appreciate a wide range of artistic movements and styles, all under one roof. This promotes a deeper understanding and appreciation of British art and its history, ensuring that the talents of artists like Samuel Colman continue to inspire and influence future generations.
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Samuel Colman's other works include 'The Destruction of the Temple'
Samuel Colman (or Coleman) was an English painter based in Bristol for most of his career. He was born in 1780 and passed away on 21 January 1845. One of Colman's notable works is "The Temple of Flora", which, like "The Destruction of the Temple", is an oil painting on canvas. "The Destruction of the Temple" was created sometime between 1830 and 1840 and is significantly larger than "The Temple of Flora", measuring 135.6 cm by 196.5 cm.
"The Destruction of the Temple" is not Colman's only work with religious themes. He also painted "Saint John Preaching in the Wilderness", which is exhibited at the Bristol Museum & Art Gallery. In addition to his religious works, Colman also explored other subjects. For instance, "Belshazzar's Feast", which is part of the Gallery Oldham collection, and "A View of Bristol from Ashton Park", which is exhibited at the Bristol Museum & Art Gallery, showcase Colman's interest in landscapes and cityscapes.
Colman's works also include portraits, such as "Portrait of an Unknown Man in a Beaver Hat", which can be found at the Bristol Museum & Art Gallery. The museum also houses his painting "St James's Fair, Bristol", capturing a local festival. Colman's oeuvre further encompasses historical themes, as seen in "The Death of Amelia", exhibited at Tate Britain, and "Samuel Watts (1774-1843), Solicitor", which is part of the South Somerset Heritage Collection.
The exact dates of Colman's artistic production are unknown, but his works were likely created during his adult life, spanning several decades until his death in 1845. While the specific details of his artistic training and influences are not readily available, his body of work demonstrates a versatility in subject matter and a skill in handling oil paint on canvas.
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Frequently asked questions
Samuel Colman (or Coleman) painted The Temple of Flora.
The date of the painting is unknown. However, Samuel Colman was active in the mid-19th century, with works dated between 1835 and 1875.
The painting is currently in the collection of Tate Britain, UK.
