
The Grand Canyon of Yellowstone is an oil-on-canvas painting created by English-American artist Thomas Moran in 1872. The painting is credited with increasing public interest in conservation efforts and was instrumental in persuading Congress to preserve the area as a national park. The painting was purchased by Congress in 1872 for $10,000 and put on display at the United States Capitol. It is currently on display at the U.S. Department of the Interior Museum. Thomas Moran also painted another version of the Grand Canyon of Yellowstone for the World's Columbian Exposition in 1893.
| Characteristics | Values |
|---|---|
| Artist | Thomas Moran |
| Year | 1872 |
| Medium | Oil on canvas |
| Dimensions | 7 by 12 feet |
| Displayed at | U.S. Department of the Interior Museum |
| Inspired | Creation of Yellowstone National Park |
| Survey | Ferdinand Vandeveer Hayden Survey of 1871 |
| Purchase price | $10,000 |
| Purchased by | Congress |
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What You'll Learn

Thomas Moran's 1872 oil painting
Moran's interest in the Yellowstone area was sparked when he illustrated a magazine article titled "The Wonders of the Yellowstone" for Scribner's Monthly in 1870. Intrigued, he later joined the Hayden Geological Survey of 1871, which explored the region that would become Yellowstone National Park. During the expedition, Moran worked closely with survey photographer William Henry Jackson, and the two often lingered at sites that particularly captivated them, such as Tower Creek and the Grand Canyon of the Yellowstone. Moran filled a diary with sketches and wrote about the splendour of the region.
Moran's 1872 painting was displayed in Congress and purchased for $10,000, playing a pivotal role in the creation of Yellowstone National Park that same year. The painting, along with Jackson's photographs, dispelled any doubts about the wonders of Yellowstone and convinced Congress of the need to preserve the area. On March 1, 1872, President Ulysses S. Grant signed the Yellowstone National Park Protection Act into law, making Yellowstone the world's first national park.
Moran's artwork not only influenced the conservation of Yellowstone but also increased the American public's interest in conservation efforts more broadly. The painting is now part of the collection of the U.S. Department of the Interior Museum, where it is on public display. Moran's critical and commercial success with his Yellowstone paintings led him to travel throughout the American West, creating many more artworks of national parks and monuments, although he considered Yellowstone his greatest love.
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Sketches and paintings of Yellowstone
The Grand Canyon of the Yellowstone, an oil-on-canvas painting created by English-American artist Thomas Moran in 1872, is perhaps the most famous sketch or painting of Yellowstone. The painting measures 7 by 12 feet and provides an idealized view of the topography of the Grand Canyon of the Yellowstone in the late 19th century. The painting was purchased by Congress in 1872 for $10,000 and put on display at the United States Capitol. It is credited with increasing the American public's interest in conservation efforts and was instrumental in persuading Congress to preserve the area as a national park. In 1950, the painting was transferred to the permanent custody of the U.S. Department of the Interior, where it remains today.
Moran first visited Yellowstone in 1871 as part of an expedition led by Ferdinand Vandeveer Hayden. He spent several days sketching the Grand Canyon of the Yellowstone from different vantage points along the Canyon rim. Moran's sketches and watercolours captured the dramatic and colourful landscape, including the Gardiner River, Mammoth Hot Springs, Liberty Cap, Tower Fall, and the Grand Canyon of the Yellowstone. He then returned home and translated his artwork into finished paintings. In addition to The Grand Canyon of the Yellowstone, Moran created a second painting with the same title between 1893 and 1901, which displays a more mature treatment of the same landscape.
Following his trip to Yellowstone, Moran travelled the American West and created many more works of art. He painted many other areas that later became national parks or monuments, but Yellowstone, the artist said, was "his love". Yellowstone National Park will forever be intertwined with the man who first painted the area over 125 years ago. Friends began to call him "Tom 'Yellowstone' Moran," and he incorporated a "Y" into his initials when signing his works.
Today, Yellowstone National Park continues to inspire artists with its stunning landscapes, geothermal features, and wildlife. The park is home to Old Faithful, the world-famous geyser, as well as hot springs, rivers, and an array of animal species, including American bison, trumpeter swans, trout, and gray wolves. Artists capture the history and beauty of the nation's first national park through their paintings, which showcase the vibrant colours and varied scenery of Yellowstone in all seasons.
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The Hayden Geological Survey of 1871
Hayden had previously explored the badlands of Dakota Territory in 1866 with James Stevenson, who would become the survey manager for the 1871 expedition. In the spring of that year, Hayden selected 32 members for the survey team, including scientists, friends, colleagues, survey participants, and political patrons. Among them were William Henry Jackson, a photographer, and Thomas Moran, an artist.
The survey officially began on June 8, 1871, departing from Ogden, Utah. The party travelled north, exploring the geyser basins on the Firehole River, mapping the region, and taking sketches, photographs, and soundings of Yellowstone Lake. Hayden's team also created a topographical and geological map of the entire district, with Hayden claiming that "no portion of the West has been more carefully surveyed than the Yellowstone basin."
The survey's findings were detailed in Hayden's lengthy report, which included sketches and paintings by Moran, as well as photographs by Jackson. This report, along with similar expeditions, played a prominent role in convincing Congress to preserve the area as a national park. On March 1, 1872, Yellowstone became the world's first national park when President Ulysses S. Grant signed the Yellowstone National Park Protection Act into law.
Thomas Moran's paintings, including "The Grand Canyon of Yellowstone," completed in 1872, also contributed to increasing public interest in conservation efforts. The large painting was purchased by Congress and displayed at the United States Capitol, further emphasising the significance of the Hayden Geological Survey of 1871 in shaping the understanding and preservation of the Yellowstone region.
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The painting's role in the creation of Yellowstone National Park
In 1871, the artist Thomas Moran and the surveyor William Henry Jackson were invited to join the Hayden Geological Survey expedition, which was exploring the Yellowstone region. The expedition was led by the geologist and surveyor Ferdinand Vandeveer Hayden, who wanted to create a comprehensive report on the region's geology, geography, and potential for settlement and development. Hayden believed that the best way to promote the protection and preservation of the region was to make its unique features known to the American public. He understood the power of art to convey the beauty and grandeur of the landscape and invited Moran to join the expedition as the official artist.
Moran and Jackson worked together to document the expedition's findings. Jackson captured the region's landscapes and geological features with his camera, providing a detailed visual record, while Moran's paintings brought an artistic sensibility to the scenery, capturing the dramatic beauty and atmospheric qualities of the place. One of Moran's most notable paintings from this trip was "The Grand Canyon of the Yellowstone," which depicted the stunning view of the lower falls of the Yellowstone River as it plunges into the grand canyon. Moran's painting captured the dramatic contrast between the cascading water, the steep canyon walls, and the lush vegetation, all under a vibrant sky.
After the expedition, Hayden used Moran's paintings and Jackson's photographs to illustrate his report to the US Congress. The report, published in 1872, included Moran's painting "The Grand Canyon of Yellowstone" as a chromolithograph, allowing for a wide dissemination of the image. This painting, with its vivid colors and dramatic composition, captured the imagination of the public and played a crucial role in convincing lawmakers and the American people of the need to preserve the region. It helped convey the beauty and fragility of the landscape and made a strong case for its protection.
The publication of Hayden's report and the inclusion of Moran's painting generated significant public interest and support for the establishment of a national park in the Yellowstone region. The painting was exhibited in various venues, including the Boston Art Club and the US Capitol, where it continued to attract attention and admiration. Moran's artwork, along with Jackson's photographs, provided visual evidence of the region's unique geological features and served as a powerful tool in the campaign to establish Yellowstone as the world's first national park in 1872.
"The Grand Canyon of Yellowstone" not only played a pivotal role in the creation of Yellowstone National Park but also set a precedent for the use of art in conservation and environmental protection. Moran's painting inspired a tradition of artistic documentation and interpretation of America's national parks, with many artists following in his footsteps, capturing the unique beauty of these protected lands. The painting continues to be an iconic image, symbolizing the importance of preserving our natural heritage and the pivotal role art can play in shaping public opinion and policy.
Today, "The Grand Canyon of Yellowstone" remains a beloved and iconic image, not only for its artistic merits but also for its historical significance. It serves as a reminder of the power of art to inspire action and bring about change, and it continues to captivate viewers, inviting them to appreciate the beauty and majesty of one of America's most treasured national parks.
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A second version of the painting, 1893-1901
The Grand Canyon of the Yellowstone, an 1872 oil-on-canvas painting by Thomas Moran, is credited with increasing the American public's interest in conservation efforts and played a crucial role in the establishment of Yellowstone National Park. Following the success of this painting, Moran travelled across the American West, creating many more artworks showcasing the region's natural wonders.
Among these subsequent works is a second version of The Grand Canyon of the Yellowstone, dated 1893-1901. This painting, also by Thomas Moran, offers a more mature artistic treatment of the same iconic landscape. The later painting is smaller than the original, measuring 96 1⁄2 x 168 3⁄8 inches (245.1 x 427.8 cm). It is currently part of the collection at the Smithsonian American Art Museum, to which it was gifted by George D. Pratt in 1928.
Like the first version, the second painting depicts the Yellowstone River running through the canyon, with the river dwarfed by the towering, arid landscape of ochre and brown hues. The desolate panorama is punctuated by green firs and pines, while the inclusion of four figures, including a Native American, adds a sense of scale and emphasises the untouched, primordial nature of the scene.
This second iteration of The Grand Canyon of the Yellowstone builds on Moran's earlier success and reinforces his reputation as an artist intimately associated with the Yellowstone region. Friends began to call him "Tom 'Yellowstone' Moran," and he incorporated a "Y" into his initials when signing his works, reflecting his deep connection to the area.
Through his sketches, watercolours, and finished paintings, Moran not only captured the dramatic and colourful landscape of Yellowstone but also played a pivotal role in bringing attention to its conservation value, ensuring its protection for future generations to appreciate and enjoy.
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Frequently asked questions
The Grand Canyon of Yellowstone was commissioned in 1872.
The painting was commissioned by the U.S. Congress.
The painting was created by English-American artist Thomas Moran.
The Grand Canyon of Yellowstone is significant as it is credited with increasing the American public's interest in conservation efforts and helped transform the area into a popular tourist destination. The painting also played a crucial role in persuading Congress to establish Yellowstone as the world's first national park in 1872.
The Grand Canyon of Yellowstone is currently on display at the U.S. Department of the Interior Museum in Washington, D.C.











































