Isabella Flores
The Philippine flag was first flown and waved by Gen. Emilio Aguinaldo in Kawit Cavite on June 12, 1898, during the Independence Day celebration. The flag was sewn by three women: Marcela Agoncillo, her daughter Lorenza, and Delfina Herbosa de Natividad, a niece of Dr. Jose Rizal. The painting 'The Making of the Philippine Flag' by Fernando Amorsolo y Cueto, often referred to as the Grand Old Man of Philippine Art, depicts the creation of the flag and is considered one of the most important artworks in the country. Amorsolo, who was born in Manila in 1892, is known for his use of impressionistic techniques, lighting, and backlighting in his paintings, which played a significant role in the development of Philippine art and national identity.
| Characteristics | Values |
|---|---|
| Painter | Fernando Amorsolo y Cueto |
| Birth year | May 30, 1892 |
| Birthplace | Paco district of Manila |
| Nickname | "Grand Old Man of Philippine Art" |
| University | University of the Philippines' School of Fine Arts |
| Year of painting | 1955 |
| Other notable works | Rice Planting (1922), The First Baptism in the Philippines |
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What You'll Learn
- The painting was created by Fernando Amorsolo in 1955
- Amorsolo was the first National Artist of the Philippines
- Amorsolo was inspired by Spanish masters Joaquín Sorolla Bastida and Ignacio Zuloaga
- The painting depicts three women: Marcela Agoncillo, her daughter Lorenza, and Delfina Herbosa de Natividad
- The flag was first flown by Gen. Emilio Aguinaldo in Kawit Cavite on June 12, 1898
The painting was created by Fernando Amorsolo in 1955
The painting "The Making of the Philippine Flag" was created by Fernando Amorsolo y Cueto in 1955. Amorsolo was a portraitist and painter of rural Philippine landscapes, and he is considered the "Grand Old Man of Philippine Art". He was the first artist to be recognised as a National Artist of the Philippines, an honour bestowed upon him for his pioneering use of impressionist techniques and his skill in using lighting and backlighting in his paintings.
Amorsolo was born in 1892 in the Paco district of Manila and studied at the University of the Philippines' School of Fine Arts. He graduated in 1914 and went on to work as a draftsman for the Bureau of Public Works and as a chief artist at the Pacific Commercial Company. He also worked as a part-time instructor at his alma mater. During the 1920s and 1930s, Amorsolo set up his own studio in Manila and painted some of his most popular works, including "Rice Planting" (1922), which appeared on posters and tourist brochures and became one of the most well-known images of the Commonwealth of the Philippines.
Amorsolo's work was heavily influenced by Spanish masters such as Joaquín Sorolla Bastida and Ignacio Zuloaga, as well as artists like Diego Velázquez, John Singer Sargent, Anders Zorn, Claude Monet, and Pierre-Auguste Renoir. He also created a series of historical paintings on pre-Colonial and Spanish Colonization events, including "The Making of the Philippine Flag", which has become a mainstay in Filipino popular culture.
The painting itself depicts three women: Marcela Agoncillo, her daughter Lorenza, and Delfina Herbosa de Natividad, who were the ones who sewed the flag in 1898. Amorsolo used natural light and backlighting techniques in this painting to showcase the creation of the flag and remind Filipinos of their traditions and customs.
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Amorsolo was the first National Artist of the Philippines
The Philippine flag was sewn by three women: Marcela Agoncillo, her daughter Lorenza, and Delfina Herbosa de Natividad, a niece of Dr. Jose Rizal. It was first flown and waved by Gen. Emilio Aguinaldo in Kawit Cavite on June 12, 1898, during the Independence Day celebration.
Fernando Amorsolo y Cueto, often referred to as the "Grand Old Man of Philippine Art," was the first artist to be recognized as a National Artist of the Philippines. Amorsolo was born in Manila in 1892 and studied at the University of the Philippines' School of Fine Arts. He was a portraitist and a painter of rural Philippine landscapes, and his work is known for its use of lighting and backlighting techniques, which he used to highlight details in his paintings. Amorsolo's work was exhibited widely in the Philippines and abroad, and he became sought after by influential Filipinos. During World War II, Amorsolo's pastoral scenes were replaced by depictions of a war-torn nation, and he documented the destruction of landmarks in Manila and the suffering of Filipino people. Amorsolo's most famous work, "Confeccion de la Standarte Nacionale" or "Making of the Philippine Flag" (1955), has been reproduced in commercial goods and has become a mainstay in Filipino popular culture. Amorsolo's oeuvre is believed to include more than 10,000 pieces, and he is considered a master of the Philippine landscape.
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Amorsolo was inspired by Spanish masters Joaquín Sorolla Bastida and Ignacio Zuloaga
Fernando Amorsolo y Cueto, also known as the "Grand Old Man of Philippine Art", was a portraitist and painter of rural Philippine landscapes. He was the first artist to be recognised as a National Artist of the Philippines, due to his pioneering use of impressionist techniques and his skill in using lighting and backlighting in his paintings.
Amorsolo's primary influences during his time at the University of the Philippines' School of Fine Arts were the Portuguese court painter Diego Velázquez, John Singer Sargent, Anders Zorn, Claude Monet, and Pierre-Auguste Renoir. However, he was most inspired by his contemporary Spanish masters, Joaquín Sorolla Bastida and Ignacio Zuloaga.
Amorsolo's work during his time at university included illustrations for various Philippine publications, such as the first Tagalog novel, Parusa ng Diyos ("Punishment of God"), and Iñigo Ed. Regalado's Madaling Araw ("Dawn"). He also illustrated editions of the Pasyon.
After graduating with medals from the University of the Philippines in 1914, Amorsolo worked as a draftsman for the Bureau of Public Works and as a chief artist at the Pacific Commercial Company. He set up his own studio upon returning to Manila and painted during the 1920s and 1930s. His work during this period included popular images of the Commonwealth of the Philippines, such as Rice Planting (1922).
Amorsolo's paintings of rural Philippine landscapes and pastoral scenes would change during World War II, as he began to document the destruction of landmarks in Manila and the suffering of the Filipino people.
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The painting depicts three women: Marcela Agoncillo, her daughter Lorenza, and Delfina Herbosa de Natividad
Fernando Amorsolo y Cueto, also known as the "Grand Old Man of Philippine Art", was the painter behind "The Making of the Philippine Flag". The painting was created in 1955 and has since become a staple in Filipino popular culture.
Agoncillo's eldest daughter, Lorenza, was only five years old when she helped her mother sew the flag. She went on to become a teacher at the Malate Catholic School. Delfina Herbosa de Natividad, a friend of the Agoncillo family, was the niece of Dr. Jose Rizal, the National Hero of the Philippines. She was born on 20 December 1879 in Calamba, Laguna, to Mariano Herbosa and Lucia Rizal, the sister of Jose Rizal. Delfina joined the Katipunan at the age of thirteen, driven by a desire to fight oppression after her father was denied a Christian burial by Spanish friars due to their relation to Jose Rizal. She later married Jose Salvador Alejandrino Natividad, whom she met in the Katipunan, and he became a general of the Philippine Revolution.
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The flag was first flown by Gen. Emilio Aguinaldo in Kawit Cavite on June 12, 1898
The Philippine flag is a horizontal bicolour flag with equal bands of royal blue and crimson red, with a white, equilateral chevron at the hoist. The flag's central golden-yellow sun features eight primary rays, representing the original eight provinces that rebelled against Spanish rule during the 1896 Philippine Revolution. The white triangle at the hoist symbolises liberty, equality, and fraternity.
The flag's design reflects the ideas and aspirations of the Filipino people. The equilateral triangle is believed to be a memento of the Katipunan standard, with the 3Ks of the Katipunan—Kataas-taasan, Kagalang-galangan, and Katipunan ng Bayan—often arranged in a triangular manner.
The flag has unique significance when displayed in a state of war, with the red side displayed on top, achieved by flipping the flag upside down. The flag is also used in casket coverings, with the equilateral triangle, sun, and stars placed at the head of the deceased.
The painting "The Making of the Philippine Flag" by Fernando Amorsolo y Cueto, nicknamed the "Grand Old Man of Philippine Art," is a widely reproduced work depicting the creation of the flag. Amorsolo was the first artist to be recognised as a National Artist of the Philippines, known for his impressionistic technique and skill in lighting and backlighting in his paintings.
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Frequently asked questions
"The Making of the Philippine Flag" was painted by Fernando Amorsolo y Cueto (1892-1972), who is also known as the "Grand Old Man of Philippine Art".
Fernando Amorsolo painted "The Making of the Philippine Flag" in 1955.
The painting depicts three women, including Marcela Marino de Agoncillo, who is known as the "mother of the Philippine flag".
Amorsolo was influenced by impressionism and Spanish masters such as Joaquín Sorolla Bastida and Ignacio Zuloaga. He was also skilled in the use of lighting and backlighting, which he used to great effect in this painting.
