
Mary Cassatt was an American painter and a great friend of Degas, who introduced art lovers and collectors in the US to Impressionism. She participated in exhibitions of the Impressionist group from 1879. Cassatt's paintings often featured portraits of her close friends and family, particularly women and children in their everyday lives. Some of her notable works include 'Girl in the Garden' or 'Woman Sewing', 'Children in a Garden (The Nurse)', 'Lydia Crocheting in the Garden at Marly', 'Spring: Margot Standing in a Garden (Fillette dans un jardin)', and 'In the Garden', which was painted in 1904.
| Characteristics | Values |
|---|---|
| Title | In the Garden |
| Painter | Mary Cassatt |
| Year | 1904 |
| Genre | Impressionist |
| Other paintings by Mary Cassatt | Girl in the Garden (or Woman Sewing), Children in a Garden (The Nurse), Spring: Margot Standing in a Garden (Fillette dans un jardin), Lydia Crocheting in the Garden at Marly, Lydia Seated in the Garden with a Dog in Her Lap, Katherine Cassatt Reading to Her Grandchildren |
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What You'll Learn
- Mary Cassatt's 'In the Garden' was painted in 1904
- The painting exemplifies Cassatt's Impressionist style
- It features a woman in a garden, a popular post-Civil War theme
- Cassatt was a friend of Degas and exhibited with Impressionists from 1879
- 'Girl in the Garden' is another of her works, exhibited in 1886

Mary Cassatt's 'In the Garden' was painted in 1904
Mary Cassatt was an American painter and a great friend of Degas. She was an Impressionist painter, and her work often featured portraits of her close friends and family, particularly women and children in their everyday lives. Immediately following the American Civil War, paintings of women in elegant gardens became popular, and Cassatt's work reflects this tradition.
One of Cassatt's paintings, titled "In the Garden", was painted in 1904. This painting is a part of Cassatt's mature Impressionist style, featuring a simplified composition and a high-keyed palette with bravura brushstrokes. The subject of "In the Garden" is unknown, but it is likely a portrait of a close friend or family member, perhaps a woman or child. Cassatt often depicted her models in outdoor settings, such as gardens, as seen in her paintings "Girl in the Garden", "Lydia Crocheting in the Garden at Marly", and "Children in a Garden (The Nurse)".
"Girl in the Garden", also called "Woman Sewing", was exhibited during the Impressionist group's last exhibition in 1886. The painting features a richly coloured background structured by a path, which gives the painting depth. The figure in the foreground is a young woman, and the rapid, sketchy treatment of her skirt contrasts with the clear, firm outline of her face and bust.
"Lydia Crocheting in the Garden at Marly" depicts Lydia in the garden, crocheting, with the greenhouse and orderly rows of plants behind her. Lydia is shown as occupied and seemingly unaware of the garden, set apart from the blossoms. Her pale complexion is contrasted with the tartan and lace-cuffed garment she wears, along with a lace bonnet and gloves.
"Children in a Garden (The Nurse)" was exhibited at the Museum of Fine Arts, Houston, in 2012 and is another example of Cassatt's work featuring figures in a garden setting.
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The painting exemplifies Cassatt's Impressionist style
Mary Cassatt's "In the Garden" is a beautiful example of the artist's Impressionist style. Completed in 1904, the painting depicts a young girl and her mother relaxing in their garden. The mother is dressed for the summer weather, seated on a wooden chair, while her daughter wears a pink dress and a white-brimmed hat, with a matching pink bow in her hair. They are positioned in the foreground, with a path stretching horizontally behind them, leading to a series of bushes.
Cassatt, an American painter, played a significant role in introducing Impressionism to art lovers and collectors in her home country. She was a close friend of Degas and actively participated in the Impressionist group's exhibitions from 1879 onwards. Cassatt's work often featured portraits of her friends and family, particularly women and children, in intimate, everyday settings. "In the Garden" aligns with this theme, presenting a tender moment between a mother and her child.
Additionally, "In the Garden" reflects Cassatt's interest in capturing fleeting moments. The relaxed pose of the mother and the subtle details of their outdoor surroundings suggest a peaceful pause in their daily lives. This emphasis on capturing transient instances is a hallmark of Impressionist art, and Cassatt's ability to convey this feeling is evident in "In the Garden."
The painting also showcases Cassatt's skill in simplifying complex compositions. The path in the background, for example, provides structure and guides the viewer's eye through the work. This simplified composition, combined with her distinctive use of colour and brushwork, contributes to the overall Impressionist aesthetic that Cassatt mastered.
Through "In the Garden," Mary Cassatt demonstrates her mastery of the Impressionist style. The painting's use of light and colour, simplified composition, and focus on capturing a fleeting moment contribute to its enduring appeal. "In the Garden" serves as a testament to Cassatt's significant contribution to Impressionism and her lasting influence on the art world.
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It features a woman in a garden, a popular post-Civil War theme
Mary Cassatt's painting "In the Garden" dates back to 1904. While the title suggests a general garden setting, other paintings by Cassatt provide more specific contexts, such as "Girl in the Garden", also known as "Woman Sewing", and "Lydia Crocheting in the Garden at Marly". These titles indicate that the subjects of the paintings are engaged in various activities while in the garden.
Immediately following the American Civil War, paintings of women in elegant gardens became popular. Cassatt's works align with this tradition, often featuring women and children in private, everyday settings. "Lydia Crocheting in the Garden at Marly" depicts its subject, Lydia, in a garden setting, occupied with crocheting. Lydia is set apart from the blossoms, with the greenhouse and orderly rows of plants behind her, seemingly unaware of the garden's beauty.
Cassatt's paintings exemplify her mature Impressionist style, characterised by simplified compositions, a light and lively palette, and bravura brushstrokes. "Girl in the Garden" or "Woman Sewing", exhibited in 1886, is a prime example. The richly coloured background is structured by a path, a broad diagonal stripe adding depth to the painting. The figure of a young woman in the foreground is emphasised by the contrasting treatment of her skirt and face and bust—the former painted with rapid, sketchy brushstrokes, and the latter with clear, firm outlines.
Other paintings by Cassatt that feature figures in gardens include "Children in a Garden (The Nurse)", "Spring: Margot Standing in a Garden (Fillette dans un jardin)", and "Lydia Seated in the Garden with a Dog in Her Lap". These works contribute to the post-Civil War theme of women in gardens, showcasing Cassatt's unique style and her interest in capturing the private moments of her subjects.
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Cassatt was a friend of Degas and exhibited with Impressionists from 1879
Mary Cassatt's "In the Garden" was created in the late 19th century, a time when the artist was at the height of her career and had established herself as a prominent figure in the art world, particularly among the Impressionists. The painting is a testament to Cassatt's talent and her close association with influential artists of her time, including Edgar Degas.
Cassatt and Degas enjoyed a close friendship and artistic collaboration. They first met in 1877, and their mutual admiration for each other's work quickly developed into a lasting bond. Degas was known to have a sharp eye for talent, and he recognized Cassatt's skill and unique perspective. He respected her as a fellow artist and often sought her opinion on his own work, a rare occurrence during an era when female artists were not always afforded the same respect as their male counterparts.
From 1879 onwards, Cassatt exhibited her work alongside the Impressionists, a group that included renowned artists such as Claude Monet, Pierre-Auguste Renoir, and Berthe Morisot. This was a significant step for Cassatt, as it placed her firmly within the avant-garde art movement of the time and helped to solidify her reputation as a forward-thinking and innovative artist. Degas played a role in encouraging Cassatt to exhibit with the group, and their friendship only strengthened as a result.
Cassatt's friendship with Degas and her involvement with the Impressionists had a profound impact on her artistic style. She embraced their use of vivid colors, loose brushwork, and focus on capturing the beauty of everyday moments. "In the Garden" exemplifies this influence, as it captures a serene scene of two women and a child in a garden, bathed in soft light and rendered with delicate, yet confident, brushstrokes.
Through her exhibitions with the Impressionists and her friendship with Degas, Cassatt not only found a supportive community of like-minded artists but also helped to pave the way for future female artists. Her success and recognition during a time when the art world was largely dominated by men served as an inspiration and a reminder that talent and skill knew no gender. Cassatt's legacy, therefore, extends beyond her beautiful paintings to the doors she helped open for future generations.
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'Girl in the Garden' is another of her works, exhibited in 1886
Mary Cassatt's painting "In the Garden" was created in 1904. "Girl in the Garden", sometimes called Woman Sewing, is another of her works. It was exhibited in 1886 during the Impressionist group's last exhibition. Cassatt, an American painter, was a great friend of Degas and introduced her transatlantic audience to Impressionism. She began taking part in Impressionist group exhibitions in 1879.
"Girl in the Garden" is a typical example of Cassatt's work, with its subject being a portrait of a close friend or family member—in this case, a young woman. What is atypical about the painting is its outdoor setting. The richly coloured background is structured by a path, a broad diagonal stripe that gives the painting depth and sets off the monumental figure in the near foreground.
Cassatt's work is characterised by a light, lively palette and simplified compositions, featuring high-keyed colours and bravura brushstrokes. "Girl in the Garden" is no exception. The painting contrasts a rapid, sketchy treatment of the subject's skirt with the clear, firm outline of her face and bust, demonstrating the artist's commitment to precise drawing.
The Impressionist style of Cassatt's work is also evident in the sense of capturing a fleeting instant. In "Girl in the Garden", this is suggested by the subject's dress, which appears to be sliding off her shoulder, perhaps during a pause in play. This is comparable to Cassatt's painting "Spring: Margot Standing in a Garden", in which Margot is portrayed with her dress slipping off her tiny shoulder.
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Frequently asked questions
Mary Cassatt's In the Garden was painted in 1904.
In the Garden is a portrait of Alexander J. Cassatt, painted in a landscape orientation.
Mary Cassatt's work is characterised by Impressionism, featuring simplified compositions, a light and lively palette, and bravura brushstrokes.











































