
Dogs Playing Poker is a series of sixteen oil paintings by Cassius Marcellus Coolidge, commissioned by the advertising firm Brown & Bigelow, that feature anthropomorphized dogs partaking in human activities, including poker, pool, baseball, football, and dancing. The paintings are considered by some to be kitsch masterpieces, and they have been replicated in various comic forms and referenced in popular culture. The paintings are also noted for their themes of deception, mistrust, and confrontation, with some interpreting the works as a commentary on the state of poker in the late 19th century.
| Characteristics | Values |
|---|---|
| Artist | Cassius Marcellus Coolidge |
| Year | 1894 |
| Number of paintings in the series | 16 |
| Number of paintings in the series featuring dogs playing poker | 9 |
| Themes | Deception, mistrust, confrontation, dishonesty, corruption |
| Human card-player paintings that may have inspired Coolidge | Caravaggio, Georges de La Tour, Paul Cézanne, Sir Edwin Landseer |
| Price of the original paintings of A Bold Bluff and Waterloo | $590,400 |
| Highest price paid for a Coolidge | $658,000 |
| TV shows that referenced the paintings | Cheers, NewsRadio, White Collar, The Suite Life of Zack and Cody, Family Guy, Courage the Cowardly Dog, Boy Meets World, Living Single, That '70s Show, Ray Donovan, Animaniacs, The Simpsons |
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What You'll Learn
- The paintings are a series of 16 works, 9 of which feature dogs playing poker
- The artist, Cassius Marcellus Coolidge, died in 1934
- The paintings are considered kitsch, but also a cult classic
- Themes of deception, mistrust, and confrontation are common throughout the series
- The paintings have been replicated in various comic forms and have been referenced in popular culture

The paintings are a series of 16 works, 9 of which feature dogs playing poker
The "Dogs Playing Poker" paintings are a series of 16 works, 9 of which feature dogs playing poker, created by Cassius Marcellus Coolidge. The series was commissioned by the advertising firm Brown & Bigelow and created from the mid-1900s to the mid-1910s. The paintings feature anthropomorphized dogs, usually larger breeds, sitting around a poker table, drinking and smoking. Humans do not appear in the paintings, and female dogs rarely do.
The paintings are often considered whimsical and adorable, and they have endured for over a century, with various passing references in popular culture, including in "The Simpsons" and "Cheers". The paintings are also notable for their depiction of themes such as deception, mistrust, and confrontation, with some paintings showing dogs cheating at poker.
One of the most famous paintings in the series is "A Friend in Need" (1903), which depicts a bulldog slipping an ace under the table to another dog, echoing the outstretched hands in Michelangelo's "The Creation of Adam". Other paintings in the series include "A Bold Bluff", "Waterloo", "Poker Game", and "Kelly Pool", which shows dogs playing pool.
Coolidge's "Dogs Playing Poker" series has sparked discussions about the definition of art and the distinction between "serious" and "non-serious" art. While some may consider the paintings kitsch or ornamental, others find them delightful and funny, arguing that they evoke feelings and provoke thought, which makes them good art.
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The artist, Cassius Marcellus Coolidge, died in 1934
The artist behind the iconic Dogs Playing Poker series, Cassius Marcellus Coolidge, died on 13 January 1934 in Staten Island, New York. His obituary in the local paper read, "He painted many pictures of dogs." Indeed, Coolidge created a series of sixteen oil paintings featuring anthropomorphic dogs, including nine paintings of Dogs Playing Poker.
Coolidge's paintings of dogs playing poker are a cult classic that shows the personification of a group of dogs as they play poker. The dogs are usually larger breeds like collies, Great Danes, St. Bernards, and general mastiffs, and they sit in dimly lit rooms, drinking and smoking at the table. Humans do not appear in any of the paintings, and female dogs rarely do.
The paintings are whimsical and adorable, and they don't take themselves too seriously. They are weird without being alienating, which has contributed to their enduring popularity. The paintings are also funny, with a sense of mischievousness that adds to their allure.
Coolidge's work has been replicated in various comic forms, and his paintings continue to be referenced in popular culture, including in television shows like The Simpsons and Cheers.
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The paintings are considered kitsch, but also a cult classic
The "Dogs Playing Poker" paintings by Cassius Marcellus Coolidge are considered by some to be kitsch. They are not considered fine art and are instead thought of as funny, adorable, and whimsical. The paintings are also thought to be a guilty pleasure, like a "Big Mac and fries".
However, others argue that the paintings are a cult classic. They have endured for over a century, remaining well-known into the 21st century, with various passing references in pop culture, including in *The Simpsons* and *Cheers*. The paintings have also been replicated in various comic forms.
The paintings are considered a cult classic because they are weird without being alienating. They are also cute and funny, and they don't take themselves too seriously. This combination of factors has likely contributed to their enduring popularity.
Additionally, the paintings may have endured due to the themes they explore. Common themes throughout the series include deception, mistrust, and confrontation, which are also prevalent in paintings of human card players. The paintings may also represent how people tend to swarm when someone is winning at poker, seeking advice or a piece of the pie.
The "Dogs Playing Poker" series has also sparked discussions about the definition of art and what constitutes "good" art. Some argue that art is subjective and that the paintings are good because they evoke feelings in viewers and make them think. Others consider the paintings to be ornamental or naïve, lacking the qualities of fine art. Despite differing opinions, the "Dogs Playing Poker" series has undoubtedly left its mark on popular culture and continues to be a recognised and referenced work.
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Themes of deception, mistrust, and confrontation are common throughout the series
The "Dogs Playing Poker" series by Cassius Marcellus Coolidge features anthropomorphized dogs sitting around a poker table, often drinking and smoking. The dogs are typically depicted as upper-middle-class professionals, such as lawyers and businessmen. While the series is known for its whimsical and adorable portrayal of dogs, common themes of deception, mistrust, and confrontation emerge throughout the paintings.
One of the most famous paintings in the series, "A Friend in Need," depicts a bulldog slipping an ace under the table to his partner, unbeknownst to the other players. This act of cheating introduces elements of deception and mistrust into the scene, as the bulldog conspires with his partner to gain an advantage over their opponents. The painting also invites viewers to consider the suspense and tension that arises from such deceitful actions, echoing the outstretched hands in Michelangelo's "The Creation of Adam."
Another painting, "A Bold Bluff," showcases a St. Bernard holding a pair of deuces, prompting the other dogs to question whether to call his bluff. This painting explores the theme of confrontation as the dogs engage in a battle of wits, challenging each other's moves. The subsequent painting, "Waterloo," depicts the same dogs choosing not to call the St. Bernard's bluff, leading him to triumphantly grab his winnings with both paws. This continuation of the story further emphasizes the themes of deception and confrontation, as the dogs navigate bluffs and strategic moves.
Beyond the poker table, Coolidge's series also includes paintings of dogs performing other human activities, such as playing baseball, football, and dancing. "Riding the Goat," for example, portrays a group of dogs initiating a St. Bernard into a fraternity while blindfolding him and having him ride a goat. While these paintings may seem lighthearted and entertaining, they often contain underlying messages and subtle allusions to human behaviors.
The "Dogs Playing Poker" series has endured for over a century, finding its way into popular culture through references in television shows like "The Simpsons" and "Cheers." Despite some critics dismissing the paintings as kitsch or commercial art, others argue that the series offers a unique perspective on human vices, such as gambling and alcoholism, presented through the lens of adorable and mischievous dogs. The paintings' longevity and cultural impact continue to spark discussions about the definition of art and the role of the artist.
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The paintings have been replicated in various comic forms and have been referenced in popular culture
The "Dogs Playing Poker" paintings by Cassius Marcellus Coolidge have become a cult classic, with their whimsical and adorable portrayal of anthropomorphized dogs engaging in human activities like poker, pool, baseball, football, and dancing. The paintings have endured for over a century, finding their way into popular culture and the hearts of many.
The paintings have indeed been replicated in various comic forms, as predicted by a Reddit user who commented that "it's good art because it gives us feelings when we look at it, good or bad." The original paintings themselves have been described as comedic, with a certain level of mischievousness and adorableness that makes it hard to be angry at the naughty dogs. This unique combination of elements has likely contributed to their popularity and replication in comic forms.
One of the most famous paintings in the series, "A Friend in Need," depicts a bulldog slipping an ace under the table to his partner, an act of deception that goes unnoticed by the other players. This theme of deception and mistrust is also present in another painting, "Poker Sympathy," which shows a group of doggy gangsters running a cold-deck scam. The light-hearted yet cunning nature of these scenes lends itself well to comedic interpretations and has likely inspired artists to replicate and build upon these concepts in their own creative ways.
The impact of "Dogs Playing Poker" extends beyond the art world and into popular culture. The paintings have been referenced in numerous TV shows, including "The Simpsons", "Cheers", "NewsRadio", "White Collar", "The Suite Life of Zack and Cody", "Family Guy", "Courage the Cowardly Dog", "Boy Meets World", "Living Single", "That '70s Show", and "Ray Donovan." These references often use the paintings as a comedic device or a plot point, further solidifying their place in the public consciousness.
The paintings have also sparked discussions about the definition of art and the distinction between "serious" and "non-serious" art. While some may argue that the paintings are not "fine art", others contend that art is subjective and can take many forms. The "Dogs Playing Poker" series has endured and continues to delight people, provoking thoughts and emotions, which is perhaps the true testament to its success and impact on popular culture.
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Frequently asked questions
The Dogs Playing Poker series is a group of paintings created by Cassius Marcellus Coolidge, which depict anthropomorphized dogs sitting around a poker table. The paintings are whimsical and adorable, and don't take themselves too seriously, which has contributed to their enduring popularity.
Some of the paintings in the series include "A Friend in Need", which depicts a bulldog slipping an ace to another dog under the table, "A Bold Bluff", where a St. Bernard is holding a pair of deuces, and "Waterloo", which depicts the same scene as "A Bold Bluff" from the perspective of the other dogs, who did not call the St. Bernard's bluff.
The "Dogs Playing Poker" series has had a significant impact on popular culture, with references in television shows such as *The Simpsons*, *Cheers*, and *Family Guy*. The paintings have also sparked discussions and debates about what constitutes "good art" and the role of the viewer in interpreting art.









































