Lena Rivera
The 1999 remake of The Thomas Crown Affair is an American romantic heist film directed by John McTiernan, starring Pierce Brosnan as the billionaire Thomas Crown. The film centres around the theft of a Monet painting, San Giorgio Maggiore at Dusk, from the Metropolitan Museum of Art in New York. The film also features other artworks, including a painting in the style of Cassius Coolidge's Dogs Playing Poker series, and René Magritte's Son of Man, which is referenced in the film's ending.
| Characteristics | Values |
|---|---|
| Film Name | The Thomas Crown Affair |
| Year | 1999 |
| Director | John McTiernan |
| Writers | Leslie Dixon and Kurt Wimmer |
| Starring | Pierce Brosnan, Rene Russo, and Denis Leary |
| Genre | Romantic Heist Film |
| Plot | Thomas Crown, a billionaire, steals a painting from the Metropolitan Museum of Art and is pursued by an insurance investigator, with the two falling in love |
| Painting Stolen | Monet's San Giorgio Maggiore at Dusk |
| Painting Value | $100 million |
| Other Paintings Featured | René Magritte's The Son of Man, Noon: Rest from Work (after Millet) by Vincent van Gogh, The Artist's Garden at Eragny by Camille Pissarro, and a painting in the style of Cassius Coolidge's Dogs Playing Poker series |
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What You'll Learn
Monet's San Giorgio Maggiore at Dusk
The painting depicts mysterious buildings that seem to magically appear from the surrounding landscape, almost floating in the background. The vibrant blue, yellow, and red colours were used by Monet to depict the sunset. This painting is a prime example of Monet's work, created during a period when he began losing his eyesight from grey cataracts.
Monet and his wife Alice travelled to Venice by chauffeur-driven car and stayed at the Palazzo Barbaro and later at the Hotel Britannia. It was during their stay at the Hotel Britannia that Monet created this masterpiece. The view from the hotel included the church of San Giorgio Maggiore, but the painting at dusk appears to have been viewed from the waterfront known as the Riva degli Schiavoni, where the island forms a focal point of the view.
Monet was reportedly reluctant to paint from the waterfront due to his dislike of crowds of tourists and his fear of conforming to other artists drawn to Venice, such as Renoir or Manet. San Giorgio Maggiore was a favourite subject for painters, including the proto-Impressionist Turner.
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René Magritte's Son of Man
René Magritte's "Son of Man" is a 1964 surrealist self-portrait. It is one of the most recognisable paintings of the surrealist movement, with its meaning left to the interpretation of the viewer. Magritte's work often featured ordinary objects in unusual contexts, giving new meanings to familiar things. This can be seen in his painting "The Treachery of Images", which shows a pipe with the text "Ceci n'est pas une pipe" ("This is not a pipe") written below it. Magritte described his paintings as "visible images which conceal nothing; they evoke mystery".
Magritte's work was influenced by his early interest in Cubism and Futurism, as well as the Surrealism led by André Breton, which had the most significant impact on him as an artist. He was also influenced by fairground attractions, from carousels and circuses to panoramas and stage magic. Magritte's unique visual language continues to attract audiences today.
"Son of Man" has been referenced in popular culture, including in the 1999 film "The Thomas Crown Affair". In the film, the character Thomas Crown (played by Pierce Brosnan) utilises the anonymity of the figure in "Son of Man" to orchestrate a heist. In the film, Crown steals a Monet painting from New York's Metropolitan Museum of Art. The film also features a painting in the style of Cassius Coolidge's "Dogs Playing Poker" series, as well as "The Caliph of Constantine" by Théodore Chassériau.
"The Thomas Crown Affair" is a remake of a 1968 film of the same name, in which Steve McQueen plays a businessman who steals $2 million from a Boston bank. The 1999 version received generally positive reviews from critics, grossing $124.3 million worldwide.
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The Caliph of Constantine by Théodore Chassériau
The 1999 American romantic heist film "The Thomas Crown Affair" features a painting called "The Caliph of Constantine" by the French artist Théodore Chassériau. The painting, executed in 1845, is done in oil on canvas and is held at the Palace of Versailles.
"The Caliph of Constantine," also known as "Ali Ben-Hamet, Caliph de Constantine and Chief of the Haractas, Followed by his Escort," is an equestrian portrait that represents Ali Ben Ahmed, the leader of the Haraktas, in Algeria. Chassériau was invited by Ben Ahmed to visit Paris, and the painting depicts him triumphantly riding a brown horse, followed by four members of his tribe, one of them black, also riding horses and holding spears. Clouds of dust rise from the horses' hooves, giving a sense of movement to the scene.
The painting is a notable example of orientalism art, showcasing Chassériau's passion for colour and movement. It was exhibited at the Salon of 1845, where it received mixed reviews. While some critics accused Chassériau of imitating the style of Delacroix, others praised the painting for its grandeur and majesty.
In the film "The Thomas Crown Affair," the painting serves as a prop, adding to the overall atmosphere and aesthetic of the film. The film, directed by John McTiernan, stars Pierce Brosnan as Thomas Crown, a billionaire who steals a painting from the Metropolitan Museum of Art in New York City. The production crew created their own museum set on a soundstage, as the actual museum declined their request to film on-site.
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Monet's Water Lilies
Monet conceived several works specifically for the Musée de l'Orangerie, where they are now installed, and gave his first two large panels to the French nation as a symbol of peace in 1918, following the Armistice of November 11. The Orangerie Museum received the paintings in 1927, a few months after Monet's death, and they are considered one of the largest monumental achievements of early 20th-century painting.
In the 1999 film The Thomas Crown Affair, the titular character, played by Pierce Brosnan, steals Monet's painting of San Giorgio Maggiore at Dusk from the Metropolitan Museum of Art.
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The Artist's Garden at Eragny by Camille Pissarro
The 1999 remake of The Thomas Crown Affair, starring Pierce Brosnan, centres on the theft of a Monet painting, San Giorgio Maggiore at Dusk, from the Metropolitan Museum of Art in New York. The film also features a painting in the style of Cassius Coolidge's Dogs Playing Poker series, and René Magritte's The Son of Man is referenced in the film's ending.
Now, onto the painting you're interested in: The Artist's Garden at Eragny by Camille Pissarro. This Impressionist landscape was painted in oil on canvas in 1898. Pissarro masterfully employs touches of canary yellow, pale pink, coral, and ruby red to suggest sunflowers, roses, and other flowers in the garden. The woman in the painting, who may be Pissarro's wife, wears a long, steel-grey skirt and a long-sleeved olive-green shirt, with her brown hair bound up. Her face and hands, indicated with just a few short swipes of pale peach paint, convey a sense of anonymity. She is stooped over a light green patch to the right of the centre, near a bundle of sticks or tall dried stems. To the left are rows of leafy greens, and beyond them, a profusion of flowers spans the width of the composition. In the background, a grey stone house with dark grey and brick red roofs rises above the lush vegetation. The pale blue sky, dotted with white clouds, adds a sense of calm to the scene.
Pissarro signed and dated the painting in the lower left corner: "C. Pissarro 1898." This work is a beautiful example of his artistic style and his ability to capture the serenity of a garden. The painting's provenance includes several notable owners before it was bequeathed to the National Gallery of Art in Washington, D.C. in 1970, where it now resides.
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Frequently asked questions
In the 1999 remake of The Thomas Crown Affair, the titular character steals Monet's painting of San Giorgio Maggiore at Dusk.
Thomas Crown employs a group of non-descript East Europeans to create a distraction by attempting to steal a bunch of paintings. While the police are occupied, Crown steals the Monet painting from the wall, breaks it out of its frame, and folds it into a briefcase.
Several of Monet’s Water Lilies can be seen in the background for a few moments. A painting in the style of Cassius Coolidge's Dogs Playing Poker series is also shown, but it is not one of Coolidge's works. The Caliph of Constantine by Théodore Chassériau is another painting featured in the film.
