Lena Rivera
The 1950s TV show Perry Mason features an array of intriguing artwork and props in the set design of the titular character's office. Viewers have noticed and discussed various items, including a bust of Voltaire or Rousseau, an abstract fish painting, and a horse-head bas-relief. The show's set decorator may have worked with a limited budget, but the show's success and Mason's portrayal as a successful defence attorney have sparked interest in the set design, particularly the unique artwork in his office.
| Characteristics | Values |
|---|---|
| Painting behind the desk | Abstract fish painting |
| Bust | Voltaire or Rousseau |
| Relief behind the sofa | Horse-head bas-relief |
| Credenza behind the desk | Eagle and urn |
| Bookcase to Perry's right | Tripod-like objects, pig-like figures |
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What You'll Learn
The abstract fish painting behind Perry Mason's desk
The painting is a creative interpretation of a fish, incorporating abstract shapes and forms. While the exact artistic style and influences behind the painting are unknown, it showcases a bold and imaginative take on the subject matter. The use of abstract art in the show is intriguing, adding a layer of visual interest to the set design.
The painting's presence in Mason's office may have been a deliberate choice by the set decorators. As a successful defence attorney, Mason's office reflects his professional status and personal taste. The abstract fish painting could represent Mason's appreciation for modern art or his interest in aquatic life. Alternatively, the painting may simply have been chosen for its visual appeal, adding a touch of uniqueness to the set.
The painting has gained recognition among viewers, with some expressing interest in acquiring similar artwork. The impact of this set piece highlights the power of art in television, as it not only enhances the visual narrative but also captures the attention of the audience.
Overall, the abstract fish painting behind Perry Mason's desk is a memorable and distinctive element of the 1950s TV show. Its presence adds a layer of depth to the character's office, inviting speculation about Mason's personal tastes and interests. The painting showcases the power of set design in shaping the visual narrative and engaging the audience's imagination.
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The identity of the bust in Perry Mason's office
Some sources suggest that the bust in Perry Mason's office is that of Voltaire, the famous French philosopher, and writer. This theory is supported by visual evidence and was confirmed by a fan, Donna Bruce, on Howard Berlin's Perry Mason Message Board. This contradicts the description in the Perry Mason novels, where the bust is said to be of Sir William Blackstone, an 18th-century British jurist.
However, there is some uncertainty, as other viewers of the show have suggested that the bust could be of Rousseau, another renowned French philosopher and writer. This speculation adds an intriguing layer to the discussion, highlighting the similarities between Voltaire and Rousseau, both known for their Enlightenment-era philosophies and literary contributions.
The presence of a bust in Perry Mason's office, whether Voltaire or Rousseau, offers a subtle insight into the character's intellectual interests and the ambiance of his high-class office. The bust's identity, though a subject of debate, showcases the character's appreciation for the philosophical and literary giants of the past.
In conclusion, while the exact identity of the bust in Perry Mason's office remains a topic of discussion among fans, the possibilities of Voltaire or Rousseau both reflect Mason's successful career and the sophisticated setting of his office.
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The horse-head bas-relief behind the sofa
The horse-head bas-relief is a piece of art featured in the 1950s Perry Mason TV show. It is placed behind the sofa in the set of Perry Mason's office. The horse-head bas-relief is one of many interesting art pieces in the show, including an abstract fish painting behind the desk, an eagle and urn on the credenza behind the desk, and tripod-like objects on the bookcase.
The horse-head bas-relief is a decorative object that adds to the aesthetic of the show. It is a three-dimensional sculpture that protrudes from the wall, creating a sense of depth and texture in the scene. The horse's head is a powerful symbol that may convey strength, freedom, or nobility. The bas-relief style, which is characterized by shallow carving or sculpting, adds a sense of elegance and sophistication to the piece.
The choice to include the horse-head bas-relief in Perry Mason's office may have been intentional in conveying a message about the character. Horses are often associated with power, success, and prestige, which could reflect Mason's successful career as a defence attorney. The horse's head, positioned prominently behind the sofa, creates a sense of authority and dominance in the room, reflecting Mason's confident and assertive personality.
The artistic style of the horse-head bas-relief is also noteworthy. Bas-relief sculptures are known for their subtle details and elegant lines, which can add a sense of refinement and sophistication to the décor. The use of bas-relief in ancient Greek and Roman art may also suggest a connection to classical ideals of justice and law, fitting for a legal drama like Perry Mason.
Overall, the horse-head bas-relief behind the sofa in Perry Mason's office is a well-chosen piece of set decoration. It adds visual interest, conveys subtle messages about the character, and contributes to the overall aesthetic and atmosphere of the show.
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The eagle and urn on the credenza
The eagle is a powerful and majestic bird that has long been associated with strength, courage, and freedom. In many cultures, the eagle is seen as a symbol of power and leadership, and it is often used as a representation of victory and triumph. The urn, on the other hand, is a vessel that is often used to hold the ashes of the dead. It is a symbol of mortality and the fragility of life.
Together, the eagle and urn on the credenza in Perry Mason's office create an interesting contrast between life and death, power and fragility. The eagle, with its proud and imposing stance, represents the strength and authority of Mason's character, while the urn serves as a reminder of the fleeting nature of life and the importance of honouring the past.
The eagle and urn may also have a symbolic meaning within the context of Mason's work as a defence attorney. The eagle, with its sharp eyes and powerful wings, could represent the pursuit of justice and the protection of the innocent. The urn, as a vessel of remembrance, could symbolise the importance of honouring the victims of crimes and seeking truth and closure for those who have passed away.
Overall, the eagle and urn on the credenza in Perry Mason's office add a layer of depth and interest to the decor, reflecting the character's strength, authority, and respect for the law.
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The pig-like figures on the bookcase
The figures are just one of many intriguing decorative items in Mason's office. A successful defence attorney, Mason could afford a high-class office suite. Other items in his office include a horse-head bas-relief, an abstract fish painting, an eagle and urn, and tripod-like objects on the bookcase.
The set decorator for the show may have been working with a slim budget, which could explain the use of curious decorative items such as the pig-like figures. The figures, along with other items in the office, may have been chosen to create a sense of intrigue and curiosity for viewers, who could enjoy spotting the same elements in different episodes.
The pig-like figures, along with the other decorative items in Mason's office, add to the unique character of the show and have become a memorable part of the show's aesthetic, with fans still discussing and speculating about them years later.
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Frequently asked questions
There is an abstract fish painting behind Perry Mason's desk.
No other sources mention additional paintings in Perry Mason's office.
There is a bust of Voltaire, a horse-head bas-relief behind the sofa, an eagle and urn on the credenza, and pig-like figures.
Yes, there are tripod-like objects on the bookcase and empty bookcases in the outer office.
The set decorator likely had a slim budget. The decor has been described as "ugly" and "cheap-looking."
