Attaching Paper Protectors: Preserving Your Art

how to attatch paper protector on back of paintings

Protecting your paintings is essential to preserving their longevity and aesthetic appeal. One way to do this is by attaching a dust cover, also known as backing paper, to the back of the picture frame. This not only prevents dust and air pollutants from entering the frame but also keeps bugs away and maintains humidity levels. The type of backing paper you choose is important, and options include standard Kraft paper, Tyvek acid-free backing paper, and Lineco acid-free backing paper. The process of attaching the backing paper involves cutting the paper slightly larger than the frame, applying adhesive, and ensuring a firm and taut attachment. Artists also have alternative methods for protecting their works on paper, such as using specific types of paper, sealing with PVA, wet mounting on acid-free foam core, or using acrylic glazing medium to seal unstable elements like charcoal marks.

How to attach a paper protector to the back of paintings

Characteristics Values
Purpose Prevent dust, air pollutants, bugs, humidity fluctuations, and damage
Type of Paper Acid-free, pH-neutral, and puncture-resistant
Materials Paper, ATG tape, PVA glue, precision knife, dust cover trimmer
Steps Cut paper larger than frame size, apply tape/glue, place frame on paper, press, inspect edges, cut excess paper
Alternative Methods Dampen paper with water, use BEVA film and iron, interleave with wax paper, use glassine paper

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Using acid-free paper to prevent damage

Using acid-free paper is essential to prevent damage to your artwork. Acidic materials can cause yellowing, deterioration, and ruin not only the frame and mat but also the art itself. The acid in paper, matting, and frame backings can change the chemical composition of the artwork, affecting its colour and image clarity. This is why it is important to use acid-free paper and other framing materials.

Archival paper, made from cotton fibres, is a type of acid-free paper with a lifespan of over 100 years. Acid-free paper is manufactured to have minimal lignin and is neutralised to prevent fading and yellowing. Acidic paper ages exponentially, so using acid-free paper is crucial for preserving your artwork.

When choosing framing materials, opt for those that are acid-free to ensure the longevity of your artwork. This includes using acid-free paper, mounts, and glues. Check the product information for a statement indicating that the materials meet the International Organization of Standardization (ISO) standards for preservation and protection.

In addition to using acid-free paper, you can also use glassine, a pH-neutral, translucent paper, to separate prints, drawings, and other documents for archiving. Anything that comes into contact with your artwork should be acid-free or pH-neutral to prevent issues like foxing and yellow edges.

By using acid-free paper and other framing materials, you can effectively prevent damage to your artwork and ensure its longevity for years to come.

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Attaching the paper with glue or tape

To attach a paper protector to the back of a painting, you will need a few items. First, cut a section of backing paper that is slightly larger than the size of the frame. The type of paper you use is important. Standard Kraft paper is one of the most common types of backing paper used in non-conservation framing projects. However, if you are framing artwork for the long term, you may want to use Tyvek or Lineco acid-free backing paper, which are both puncture-resistant and breathable.

Now, you can choose to attach the paper with tape or glue. If using ATG tape, apply a continuous strip of tape all around the back of the frame, approximately 1/8-inch from the edge. If using PVA glue, apply a thin bead of glue all around the edge. Using a folded paper towel or your finger, spread the glue evenly, ensuring that you are not getting glue on the visible, outside edge of the frame.

Next, place the frame face up on the backing paper and press firmly in place. Turn the frame over and inspect the edges to ensure the paper has adhered, pressing along the areas where the paper has not attached properly.

Finally, turn the frame face up again and use a precision knife to carefully cut away the excess backing paper. Make sure that none of the dust cover is visible from the front of the frame.

Some framers dampen Kraft backing paper with water before attaching it to the frame so that it will shrink as it dries, resulting in a very taut seal. However, this method is controversial, as some experts warn that water should never be used, as it can potentially damage the artwork.

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Alternative methods for sealing paintings

Sealing a painting is important to protect it from dust, dirt, and other things that could ruin it. Here are some alternative methods for sealing paintings:

Using Backing Paper or Dust Cover

A dust cover, also known as backing paper, is a thin sheet of paper attached to the back of a picture frame. It helps prevent dust, air pollutants, bugs, and humidity fluctuations that can damage the artwork. The process involves cutting the backing paper slightly larger than the frame, applying adhesive (tape or glue) around the back of the frame, and then placing the frame onto the paper, pressing firmly. Finally, turn the frame over and trim away the excess paper with a precision knife, ensuring none is visible from the front.

Varnishing

Varnishing is a common method to seal and protect paintings, especially acrylic paintings. Varnish acts as a protective coat, shielding the artwork from UV rays, dust, and other elements. It also gives the painting a fresh and professional look. There are different types of varnishes, such as acrylic resin varnish, acrylic polymer varnish, clear sealer, or mod podge, and they can be applied with a brush or sprayed on.

Glazing

Acrylic glazes, or simply translucent paint, can be used as an alternative to varnishes. Glazes give paintings a life-like appearance, but due to their watery consistency, attention is required during application.

Acid-Free Materials and Storage

Using acid-free materials for storing artwork is crucial to prevent issues like foxing and yellowing over time. Acid-free interleaving paper, document boxes, and portfolio books with archival page protectors are recommended for storing paintings. Additionally, it is advised to keep paintings in a stable environment without extreme temperature changes, excessive humidity, and direct sunlight.

Scanning and Digital Preservation

While not a sealing method, scanning artwork at the highest resolution possible is a way to preserve it digitally. This can be especially useful if the original artwork is susceptible to deterioration due to the materials used.

These methods provide alternatives to attaching a paper protector on the back of paintings, each offering a different level of protection and preservation for your artwork.

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The benefits of using a dust cover

A dust cover, also known as backing paper, is a thin sheet of paper attached to the back of picture frames. It is an essential barrier that protects your artwork from dust, air pollutants, and bugs.

Dust covers are an effective way to protect your artwork from damage. Here are some key benefits:

  • Protection from dust and pollutants: Dust covers create a barrier that prevents dust and other air pollutants, such as smoke, ozone, and nitrogen oxides, from entering the frame and settling on your artwork. This is especially important if your artwork is made with materials like oil paint, which tends to attract dust easily.
  • Humidity control: Dust covers help stabilize humidity levels within the frame. While they are not a substitute for avoiding extreme humidity, they act as a preliminary vapour barrier, reducing the risk of mould and other issues caused by excess moisture.
  • Bug protection: The cover acts as an early warning system for bugs, mites, worms, and silverfish. A small tear or hole in the dust cover can invite insects, but the paper backing creates a barrier that they have to chew through, providing an extra layer of protection.
  • Aesthetic value: Dust covers give a neat and clean look to your picture frame, enhancing the overall presentation of your artwork.
  • Safeguard during transit: Dust covers are also useful when moving your artwork. They prevent dust and other particles from settling on the artwork during transportation, ensuring it stays nice and clean.
  • Long-term preservation: Using acid-free backing paper for the dust cover is essential for long-term preservation. Acidic materials can cause discolouration and other issues over time, so choosing pH-neutral or acid-free options is crucial for maintaining the condition of your artwork.

Overall, a dust cover provides a simple yet effective way to protect your artwork and ensure its longevity. It is a worthwhile addition to any framing project, providing peace of mind that your precious paintings are well-guarded.

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How to cut the paper to size

When cutting paper to size for backing a painting, there are several steps to follow. Firstly, it is important to decide which parts of the paper will be solid and which will be cut out. This involves identifying areas that need support and ensuring that each piece is attached to the larger image in at least three places. The thinner the paper, the easier it will be to cut, but it will also be more susceptible to tearing and mistakes. Thus, thicker paper might be preferable for beginners.

Next, gather the necessary tools: a cutting board, a scalpel or sharp knife, a ruler, and masking tape. A precision knife and a steel ruler are ideal. Using a sharp tool is crucial, as a dull blade will struggle to cut the paper cleanly and may result in tears or uneven edges.

Now, measure the painting and mark the desired cut lines on the paper with a pencil. It is advisable to cut the paper slightly larger than the frame, as you can always trim excess paper later. This will ensure that the paper fully covers the back of the painting.

Take your time and cut slowly and carefully along the marked lines. Remember to take breaks and stretch your hands, as paper cutting can be intricate work. If you make a mistake, don't panic. Move on to another part of the picture and come back to the error later with fresh eyes.

Finally, if any "burrs" or rough edges are created by the cutting tool, these can be carefully sanded down with a sanding block to create a smooth finish.

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