
Vincent van Gogh's paintings of sunflowers are among his most famous works. Van Gogh painted a total of eleven canvases, seven of which were painted in Arles in 1888-1889, and four in Paris in 1887. The artist himself considered the flower to be his personal artistic signature, telling his brother Theo in a letter in 1889, the sunflower is mine. The sunflower paintings were also special to Van Gogh because they communicated 'gratitude'. The paintings were considered innovative for their use of the yellow spectrum, made possible by newly invented pigments.
| Characteristics | Values |
|---|---|
| Total number of versions | 11 |
| Number of versions painted in Paris | 5 |
| Number of versions painted in Arles | 7 |
| Number of versions on display | 5 |
| Number of versions in private hands | 2 |
| Number of versions lost or destroyed | 1 |
| Number of shades of yellow used | 3 |
| Subject of the paintings | Sunflowers in all stages of life, from full bloom to withering |
| Purpose of the paintings | To decorate Van Gogh's house in Arles for a visit from Paul Gauguin |
| Size of the canvases | 30, except for the first version, which was painted on a size 20 canvas |
| Location of the paintings | Museums and galleries across the world, including the Van Gogh Museum in Amsterdam and the National Gallery in London |
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What You'll Learn
- Van Gogh painted 11 works with sunflowers as the main subject, and more where they feature
- Five versions of Sunflowers are on display in museums and galleries worldwide
- Van Gogh painted the first four versions of his Sunflowers in one week
- Sunflowers were painted in Arles, in the south of France, in 1888 and 1889
- Van Gogh's Sunflowers are among his most famous works

Van Gogh painted 11 works with sunflowers as the main subject, and more where they feature
Sunflowers are among the most iconic and beloved of Van Gogh's works. The Dutch painter created 11 pieces with sunflowers as the main subject and several more in which they feature. The vibrant yellow oil paintings were first made available in the early 19th century. Van Gogh chose sunflowers to express "gratitude", and he used three shades of yellow 'and nothing else' to create the entire image.
Van Gogh painted the first four versions of his sunflowers in just one week. He worked quickly before the flowers faded, writing to his brother Theo, "I am painting with the gusto of a Marseillaise eating bouillabaisse... If I carry out this idea there will be a dozen panels". Van Gogh painted the sunflowers with such fervour and speed because he was preparing his house in Arles for a visit from his friend and fellow artist, Paul Gauguin. Gauguin was impressed by the sunflowers, which he thought were "completely Vincent".
Van Gogh's sunflower paintings are characterised by minor differences. The overall layout of the painting along with the positioning of the flowers usually remains the same. Van Gogh painted five large canvases with sunflowers in a vase. However, one source suggests there are seven sunflower paintings in total. Another source states that there are 11 works where sunflowers are the main subject and more besides.
Sunflowers became synonymous with Van Gogh, as he had hoped. After he died, friends brought sunflowers to his funeral. Today, sunflowers are inextricably linked with the artist.
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Five versions of Sunflowers are on display in museums and galleries worldwide
Vincent van Gogh painted multiple versions of his iconic Sunflowers series. In total, he created seven paintings, five of which are on display in museums and galleries worldwide. The first four versions were completed in just one week, as van Gogh worked quickly to capture the flowers before they faded. He wrote to his brother, Theo, expressing his enthusiasm for the project: "I am painting with the gusto of a Marseillaise eating bouillabaisse... If I carry out this idea there will be a dozen panels."
The Sunflowers series is divided into two sets. The first, executed in Paris in 1887, depicts the flowers lying on the ground. The second set, created in Arles in 1888, shows a bouquet of sunflowers in a vase. Van Gogh painted the second set to decorate his house in Arles, in anticipation of a visit from his friend and fellow artist, Paul Gauguin. Gauguin was so impressed by the sunflowers that he asked for one as a gift, which van Gogh was reluctant to give him.
The two sets of Sunflowers were linked by Gauguin's name, as he acquired two of the Paris versions. About eight months later, van Gogh painted another version during Gauguin's stay in Arles, intending to welcome and impress his friend. Gauguin later claimed one of the Arles versions in exchange for studies he had left behind after returning to Paris.
Van Gogh's sunflower paintings hold a special significance. He chose the sunflower as his personal artistic signature, telling his brother, "the sunflower is mine." The paintings also communicated "gratitude," and van Gogh demonstrated that it was possible to create an image with numerous variations of a single colour, using only three shades of yellow.
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Van Gogh painted the first four versions of his Sunflowers in one week
Vincent van Gogh painted the first four versions of his Sunflowers in just one week. He worked quickly before the flowers faded, and wrote to his brother Theo, "I am painting with the gusto of a Marseillaise eating bouillabaisse". Van Gogh painted a total of five large canvases with sunflowers in a vase, using three shades of yellow "and nothing else". He demonstrated that it was possible to create an image with numerous variations of a single colour, without any loss of eloquence.
The sunflower paintings held special significance for Van Gogh, as they communicated "gratitude", he wrote. He intended to create a dozen panels, working on three paintings simultaneously. Van Gogh considered the second set of two paintings the most important of the series, signing them "Vincent" as he felt people found his last name difficult to pronounce.
The two Sunflowers show two buttons each, and one was preceded by a small study. A fourth large canvas combines both compositions. These were Van Gogh's first paintings of "nothing but sunflowers", though he had previously included sunflowers in still-life and landscape paintings. The first series, executed in Paris in 1887, depicts the flowers lying on the ground, while the second set, made a year later in Arles, shows a bouquet of sunflowers in a vase.
Van Gogh painted the Sunflowers to decorate his house in Arles in readiness for a visit from his friend and fellow artist, Paul Gauguin. Gauguin was impressed by the sunflowers, which he thought were "completely Vincent".
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Sunflowers were painted in Arles, in the south of France, in 1888 and 1889
Vincent van Gogh painted a series of "Sunflowers" artworks, with sunflowers as the primary subject, in Arles, in the south of France, in 1888 and 1889. The series comprises multiple versions of similar paintings, with minor differences. Van Gogh painted the first four versions in a week, intending to create a dozen panels. In total, he painted seven versions, five of which are on display in museums and galleries worldwide. The remaining two are in private hands, with one, unfortunately, lost during World War II.
Van Gogh's "Sunflowers" artworks are still-life paintings, depicting sunflowers in a vase. He created these paintings to decorate his house in Arles, preparing for a visit from his friend and fellow artist, Paul Gauguin. Van Gogh considered the sunflowers a personal artistic signature and a symbol of gratitude. He was proud of these works, believing they were special and unique.
The "Sunflowers" paintings are characterised by the use of vibrant yellow oil paints, with three distinct shades of yellow featuring in each work. Van Gogh's choice to use cheap paints that were not light-fast has resulted in significant colour fading over time. To address this, the Van Gogh Museum in Amsterdam displays recreations of the paintings in their original electric colours.
The "Sunflowers" series holds a significant place in art history. One of the original "Sunflowers" paintings is part of the collection of the National Gallery of London. Van Gogh's sunflower pictures are among his most iconic and beloved works, with the flower becoming synonymous with the artist.
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Van Gogh's Sunflowers are among his most famous works
The Dutch painter created two series of Sunflowers, the first in 1887 in Paris, and the second in 1888 in Arles. The first series depicts the flowers lying on the ground, while the second shows a bouquet of sunflowers in a vase. Van Gogh painted the first four versions of his sunflowers in just one week, working quickly before the flowers faded. He intended to create a dozen panels, with three paintings already in progress and plans for more.
The two series are linked by the name of his friend, the painter Paul Gauguin, who acquired two of the Paris versions. Gauguin was impressed by the sunflowers, describing them as 'completely Vincent'. Van Gogh hoped to welcome and impress Gauguin with the Sunflowers, which were part of the décor for the Yellow House in Arles, where Gauguin was supposed to stay. Gauguin later asked for one of the paintings as a gift, which Van Gogh was reluctant to give him.
There are five famous versions of Sunflowers, with two additional paintings bringing the total to seven. One of these is in private hands, while the other was sadly lost during World War II. The vibrant yellow oil paints used in the Sunflowers were first made available in the early 19th century. Van Gogh used three shades of yellow 'and nothing else', demonstrating that a single colour could create a powerful image.
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Frequently asked questions
Van Gogh painted 11 works in which sunflowers are the primary subject, and more in which they play a role. However, only five versions are on display in museums and galleries across the world.
Van Gogh painted five versions of Sunflowers while in Paris in 1887.
Van Gogh painted seven versions of Sunflowers while in Arles in 1888 and 1889.
Van Gogh painted multiple versions of Sunflowers to decorate his house in Arles in readiness for a visit from his friend and fellow artist, Paul Gauguin.
One version is in private hands, and another was lost during World War II.











































