
Norman Rockwell's Freedom of Speech is the first of his Four Freedoms paintings, inspired by Franklin D. Roosevelt's 1941 State of the Union address. The painting was published in the February 20, 1943, issue of The Saturday Evening Post, for which Rockwell was a well-established illustrator. The oil on canvas illustration depicts a blue-collar worker, wearing a plaid shirt and suede jacket, addressing a crowd of finely dressed Americans. Rockwell used live models for all his paintings and created this particular work using black-and-white photographs of these models.
| Characteristics | Values |
|---|---|
| Artist | Norman Rockwell |
| Medium | Oil on canvas |
| Inspiration | Franklin D. Roosevelt's 1941 State of the Union address |
| Date of completion | 1943 |
| Publication | The Saturday Evening Post |
| Publication date | 20 February 1943 |
| Essay author | Booth Tarkington |
| Models | Vermont neighbours, including Jim Martin, Harry Brown, Robert Benedict Sr., Rose Hoyt, and Carl Hess |
| Dimensions | 45.75 by 35.5 inches (116.2 by 90.2 cm) |
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What You'll Learn

Norman Rockwell's oil painting
Rockwell's painting depicts a scene from a 1942 town meeting in Arlington, Vermont, where a lone dissenter, Jim Edgerton, spoke out against the town selectmen's plans to build a new school. Rockwell's memory of this scene struck him as the perfect illustration of freedom of speech. He used his Vermont neighbours as models for the painting, with Edgerton standing tall, addressing a crowd of finely dressed Americans. The blue-collar speaker wears a plaid shirt and a suede jacket, with dirty hands and a darker complexion than the other attendees.
The painting was first published on February 20, 1943, in The Saturday Evening Post, accompanied by an essay from Pulitzer Prize winner Booth Tarkington. Rockwell's Four Freedoms series became widely distributed and instrumental in the U.S. Government War Bond Drive. The series reminded Americans of what they were fighting for during World War II, and the paintings toured in an exhibition that raised over $133 million.
Rockwell's "Freedom of Speech" painting has endured as one of his most iconic works. In recent times, the image has gone viral on social media as an "internet meme", used by people to express their views on freedom of speech and individual rights.
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Published in 1943
Norman Rockwell's "Freedom of Speech" painting was first published on February 20, 1943, in the periodical The Saturday Evening Post. The painting was one of four in Rockwell's "Four Freedoms" series inspired by Franklin Delano Roosevelt's 1941 address to Congress, also known as the "Four Freedoms" speech. Roosevelt outlined four democratic values that he considered essential to preserve: freedom of speech, freedom of worship, freedom from want, and freedom from fear.
Rockwell's painting depicts a scene of a 1942 town meeting in Arlington, Vermont, in which a lone dissenter, Jim Edgerton, speaks out against the town selectmen's announced plans to build anew. Rockwell's work illustrates the speaker, dressed in a plaid shirt and suede jacket, standing tall and expressing his opinion to the room. The painting is noted for its focus, with the empty bench in front of the speaker inviting the viewer into the scene.
"Freedom of Speech" was well-received, and along with the other paintings in the "Four Freedoms" series, became instrumental in the U.S. Government War Bond Drive. Rockwell's paintings were reproduced in poster form and distributed to those who purchased war bonds during the 1943-1944 Four Freedoms War Bond Show. The paintings toured in an exhibition that raised over $133 million and were featured on the covers of The Saturday Evening Post, helping to promote the sale of war bonds to finance the nation's war efforts during World War II.
The "Freedom of Speech" painting has recently gained renewed attention as an "internet meme," shared on social media by both the left and the right to express a point of view stressing an individual's right to freedom of speech.
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Inspired by FDR's 1941 address
Norman Rockwell's painting "Freedom of Speech" was the first of four paintings in his Four Freedoms series. The series was inspired by United States President Franklin D. Roosevelt's 1941 State of the Union address, also known as "Four Freedoms". In his address, Roosevelt articulated his vision for a postwar world founded on four essential human freedoms: freedom of speech, freedom of worship, freedom from want, and freedom from fear. These ideas were later incorporated into the Atlantic Charter and the charter of the United Nations.
Rockwell was motivated by Roosevelt's words and wanted to bring those lofty ideals down into a personal experience. He remembered a local town meeting where one person, Jim Edgerton, spoke out in lone dissent but was given the floor and listened to respectfully despite his solitary opposition. This memory inspired Rockwell to use this scene to illustrate freedom of speech, and he decided to use his Vermont neighbors as models for the series. He made charcoal sketches of the series, which he then took to Washington, D.C., to offer his free services to the government. However, officials questioned the artistic value of his work.
Undeterred, Rockwell took his sketches to The Saturday Evening Post, where the editor, Ben Hibbs, immediately made arrangements for his works to be featured. Rockwell's painting "Freedom of Speech" was published in the February 20, 1943, issue of The Saturday Evening Post, along with an essay by Pulitzer Prize winner Booth Tarkington. The painting depicts a scene from a 1942 town meeting in Arlington, Vermont, where a blue-collar man in casual attire, played by Edgerton, addresses a crowd of finely dressed Americans. The painting was praised for its focus, and the empty bench seat in front of the speaker is perceived as inviting to the viewer.
The "Four Freedoms" series became widely distributed and instrumental in the U.S. Government War Bond Drive. People who purchased war bonds during the 1943–1944 Four Freedoms War Bond Show received full-color reproductions of the paintings. The series was also exhibited nationally, attracting over a million visitors and raising over $133 million in war bonds and stamps. Rockwell's paintings served as a powerful reminder of the freedoms America was fighting for during World War II.
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Illustrates a town meeting
Norman Rockwell's painting "Freedom of Speech" is the first of his Four Freedoms series. The Four Freedoms were inspired by Franklin Delano Roosevelt's 1941 State of the Union address, in which he outlined four essential democratic values: freedom of speech, freedom of worship, freedom from want, and freedom from fear.
The painting illustrates a town meeting in 1942 Arlington, Vermont, where a man stands up to voice an unpopular opinion. Rockwell wanted to capture the bravery of someone speaking their mind without worrying about how it might affect others. The speaker is a blue-collar worker, dressed in a plaid shirt and suede jacket, with dirty hands and a darker complexion than the other attendees, who are wearing white shirts, ties, and jackets. The speaker's youth and workman's hands are contrasted with the older, more neatly dressed crowd.
The painting depicts a real-life scene that Rockwell remembered from a local town meeting, where one person spoke out in lone dissent but was given the floor and listened to respectfully. Rockwell used his Vermont neighbours as models for the painting, including a man named Jim Martin, who appears in all four paintings in the series. The painting is notable for its use of a low vantage point, which makes the speaker appear taller and emphasizes the respect accorded to him by the audience.
The Four Freedoms series was first published in 1943 in The Saturday Evening Post, accompanied by essays from leading American writers. The paintings became widely distributed, particularly in poster form during the U.S. Government War Bond Drive, and helped raise over $133 million for the war effort.
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Part of the Four Freedoms series
Norman Rockwell's "Freedom of Speech" is the first of four paintings in the "Four Freedoms" series. The series was inspired by United States President Franklin D. Roosevelt's 1941 State of the Union address, also known as the "Four Freedoms" speech. In his address, Roosevelt outlined four essential democratic values: freedom of speech, freedom of worship, freedom from want, and freedom from fear.
Rockwell's "Four Freedoms" series aimed to bring these lofty ideals down to a personal level. The idea for the "Freedom of Speech" painting came to Rockwell during a town meeting in Arlington, Vermont, where a man stood up to voice an unpopular opinion. Rockwell's painting depicts a similar scene, with a working-class man in a plaid shirt and suede jacket addressing a crowd of more finely dressed Americans.
The "Four Freedoms" series was first published in 1943 in The Saturday Evening Post, accompanied by essays from noted American writers and historians. The paintings became widely distributed, especially in poster form, and played an instrumental role in the U.S. Government War Bond Drive. Rockwell's paintings served as a reminder to Americans of the freedoms they were fighting for during World War II.
The "Four Freedoms" series took Rockwell seven months to complete, and he lost 10 pounds during the process. He used live models for all his paintings, including his Vermont neighbors and, in some cases, members of his own family. Rockwell's works were created using oil on canvas and were known for their technical mastery, particularly in his depiction of "Freedom from Want," which showcased his skill in painting white-on-white scenes.
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Frequently asked questions
Norman Rockwell's Freedom of Speech was painted with oil on canvas.
Rockwell used charcoal sketches to plan his paintings. He also used black-and-white photographs of live models to help him plan his paintings.
The Freedom of Speech painting was inspired by Franklin Delano Roosevelt's 1941 State of the Union address to Congress. Roosevelt outlined four democratic values that he considered essential to preserve: freedom of speech, freedom of worship, freedom from want, and freedom from fear.
The painting depicts a scene of a 1942 town meeting in Arlington, Vermont, in which a man stands up to voice an unpopular opinion. The speaker wears a plaid shirt and a suede jacket, with dirty hands and a darker complexion than the other attendees.











































