
Painting on crumpled magazine paper is a unique art form that can create interesting textures and patterns. The paint can settle into the wrinkles and creases of the paper, resulting in a one-of-a-kind piece of art. While this technique can be used to create stand-alone paintings on paper, it can also be applied to walls to give them a distinctive worn leather or veined look. The key to success is in the preparation and choice of paint, as the wrong type of paint may not adhere well to the paper or may cause the ink to run and smudge. So, what types of paint work best for this technique, and how can you avoid common pitfalls?
| Characteristics | Values |
|---|---|
| Base coat | Any dark colour like black or navy blue |
| Adhesive | Artist's acrylic medium, thinned with water |
| Crumpled paper | White wrapping tissue paper or newspaper |
| Paint | Any light colour like silver |
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What You'll Learn

Using an artist's acrylic medium to adhere paper to the wall
When using an artist's acrylic medium to adhere paper to a wall, there are several steps to follow. Firstly, it is important to prepare the wall surface by sealing it with a coat of the chosen acrylic medium. This will prevent any oils in the wood from seeping out and discolouring your artwork. It is also essential to ensure that the paper you intend to adhere is larger than the desired area on the wall, allowing for a margin of at least 1/2 inch on all sides. This excess can be trimmed off later for a neat finish.
The next step is to apply a thin coat of the acrylic medium to the wall using a wide, flat paintbrush or a foam brush. It is crucial to avoid applying too much medium, as this can cause the paper to become saturated and wrinkle. Work in small sections at a time to maintain control. Once the medium is applied, gently place the paper onto the desired area, carefully matching the bottom edge of the paper with the bottom edge of the chosen wall section.
After adhering the paper to the wall, use a brayer or roller to smooth out any air bubbles, working from the centre outwards towards the edges. To ensure a flat and secure finish, place a clean, dry tea towel or cloth over the paper and weigh it down with heavy books or a board. Leave the setup for at least 24 hours to allow the acrylic medium to dry completely.
It is worth noting that while the surface may feel dry to the touch, it may not be fully cured. Therefore, it is advisable to refer to the manufacturer's instructions on the medium's label to determine the curing time. Most mediums require at least a day or two to cure completely. Once the curing process is complete, you can be confident that your paper is securely adhered to the wall, and you can proceed with any desired additional coatings or artistic touches.
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Crumpled paper technique for a worn leather look
Creating a worn leather look using the crumpled paper technique is a simple and inexpensive way to give home furnishings a luxurious leather look without the cost. This treatment can be used on furniture, walls, book covers, and even floors.
To create a faux leather finish, you will need light and dark leather-coloured paint, a clear glaze to mix with the darker hue, tissue paper, plastic bags, or newspaper, and paintbrushes.
First, apply the lighter colour as a base coat and allow it to dry completely. If painting over fabric or a bright colour, it may need a second coat. Mix the darker paint colour with an equal amount of glaze or a higher amount, depending on the product's recommendations. Brush a fair amount of glaze over the project piece. If you are working on a large surface, work in small sections at a time. While wearing rubber gloves, press a sheet of sturdy tissue paper or some crumpled plastic bags or newspaper onto the glazed surface, then immediately lift off the material. The key is to be random and not line up the edges of the paper to avoid straight lines on your project piece.
For a different take on the crumpled paper technique, you can try this method: First, paint the wall or project piece with your dominant colour. Crumple sheets of newspaper into balls, then open the sheets back up to full size. Paint over a small area with the secondary colour and lay a sheet of crinkled newspaper over it, lightly pressing on the paper. Remove the paper and continue this process, ensuring that you do not line up the edges of the newspaper.
You can also try this technique using brown craft paper and glue to create a faux leather finish. Tear your craft paper into the desired sizes, avoiding scissors to maintain irregular borders. Only use straight-edged pieces on the straight edges of your project. Crumple the pieces into tight balls to create lots of wrinkles in the paper, then flatten them out and set them aside.
For a unique twist on the traditional crumpled paper technique, you can try using glycerin-soaked cardstock. Swipe glycerin across the surface of cardstock with a gift card, coating the entire surface. Once the paper is thoroughly coated on both sides, begin to crinkle it up and gently wad it into a ball. Repeat this process several times until the creasing is prominent. You can then ink and emboss the cardstock to add depth and a metallic sheen.
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Using black ink on the newspaper to avoid colour transfer
Painting on crumpled magazine paper is a fun way to create textured artwork with a unique, worn look. The key to avoiding colour transfer when using black ink on newspaper is to understand the properties of newsprint and ink.
Newsprint is a highly porous, uncoated paper with a limited colour gamut due to its wood pulp composition. It tends to have a greyish-brown colour and high acidity. Because of its thinness, ink coverage must be reduced to prevent an excessive amount of ink on the page. Ink transfer can occur anywhere in a newspaper, but it is most likely to happen at the spine, where pressure is highest. It is important to avoid using dark colours, including black, in these areas to prevent ink transfer.
When creating artwork with crumpled newspaper, one technique is to first paint the wall a base colour. Crumpled newspaper sheets are then pressed onto the wet paint. Once this dries, another coat of paint is applied directly onto the newspaper. This technique creates a textured look with the base colour visible in the creases of the newspaper.
It is important to note that pure black ink is not commonly used in newspaper printing as it can cause registration and ink transfer issues. Instead, a warmer, cooler, or deeper black can be achieved by mixing other colours with black. This is known as rich black. When using black ink on newspaper for artwork, it is essential to allow the paint to dry completely to prevent unwanted smudging or transfer.
By understanding the characteristics of newsprint and ink, you can successfully use black ink on crumpled newspaper to create unique artwork without experiencing colour transfer.
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Silver paint to accent the 'wrinkles'
Painting on crumpled magazine paper can create a unique and interesting effect. To accent the wrinkles on the paper, one method is to use a silver paint. This technique can be applied to walls to create a worn leathered look.
First, crumple and then open sheets of magazine paper. Prepare a painted surface by applying a coat of paint in your desired colour and letting it dry. Then, place the crumpled magazine paper on the painted surface. Once the paper is in place, paint over it with a secondary colour, such as silver. You can lightly press the paper to ensure it adheres to the surface.
After the secondary paint has dried, you can use a rag to rub silver paint over the surface, focusing on the wrinkles and creases. This will highlight the texture and create a unique, eye-catching effect.
There are a few things to keep in mind when using this technique. It's important to be random and not line up the edges of the magazine paper to avoid straight lines on your surface. Additionally, you might want to experiment with different types of paper to see which works best for your project. Thin, fragile paper like wrapping tissue can be used, but it may be more delicate to work with.
You can also try variations of this technique by using different colours or types of paint. For example, you can use a base colour of navy blue or black, or try using a spray paint instead of a traditional paint. By experimenting with different colours and techniques, you can create a wide range of effects, from a worn leather look to a crisp veined appearance.
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Ragging vs. crisp veins
Painting on crumpled magazine paper can create interesting visual effects, with the paint settling into the creases and wrinkles of the paper. Two techniques that can be used to achieve this are ragging and crisp veins.
Ragging involves using a rag to apply paint over the crumpled paper. This can be done in several ways. One method is to crumple the magazine paper, open it back up, and then paint over it with a secondary colour. The paper is then laid over a base-coated wall, pressing lightly to ensure contact with the wet paint. Once dry, the paper is removed, leaving behind the colour on the creases, creating a worn leather look. Another method is to first paint the wall a dominant colour and let it dry. Then, crumple and open magazine paper sheets and paint a small area of the wall with a secondary colour. The paper is then laid over the wet paint, and once dry, the paper is removed, leaving behind crisp veins of the secondary colour.
Crisp veins refer to the distinct lines and patterns created by the paint settling into the creases of the crumpled magazine paper. This technique avoids the smooth appearance of ragging and instead creates a unique, textured look. To achieve this, the crumpled magazine paper is pressed onto a painted wall and then removed once dry. The paint remains in the creases of the paper, creating a veined effect. This can be done with various paint colours and types, such as black paint on a black wall, followed by silver paint rubbed over the surface to accentuate the wrinkles.
Both techniques offer unique and creative ways to add texture and visual interest to a painted surface. Ragging allows for more flexibility and variation in the painting process, while crisp veins provide a more defined and structured pattern. The choice between the two depends on the desired aesthetic and the level of creativity one wishes to explore.
Additionally, when using crumpled magazine paper for painting, it is important to consider the type of paint and adhesive used. Acrylic paint and an artist's acrylic medium, thinned with water, can be effective for this technique. However, it is essential to experiment with different paints and techniques to achieve the desired result.
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Frequently asked questions
Any paint should work, but it is recommended to use a base coat of a darker colour like black or navy blue, and then a secondary colour like silver.
An artist's acrylic medium, thinned with water to a milky consistency, can be used to adhere the paper to the wall.
A lighter colour like silver is recommended to accent the wrinkles in the paper.











































