
The ratio of paint to pouring medium depends on several factors, including the type of paint, the brand, and the desired consistency. For example, thicker paints generally require a higher ratio of medium to paint, such as a 3:1 or 4:1 ratio, while craft paints typically use a 2:1 ratio. The colour of the paint can also indicate its density, which will impact the ratio. Black and white paints, for instance, are denser and will require more medium to achieve the right consistency. The pouring medium helps to create a fluid consistency and extend the drying time of the paint, and additives like water, silicone oil, or alcohol can be included to create different effects.
| Characteristics | Values |
|---|---|
| Ideal ratio for beginners | 1 part acrylic paint: 1 part medium: 1/4 part water |
| Ideal ratio for thicker, heavy-bodied paints | 3:1 |
| Ideal ratio for craft paints | 2:1 |
| Ideal ratio for expensive fluid acrylics | 4:1 or more |
| Ideal ratio for less expensive fluid acrylics | 2:1 |
| Ideal ratio for Arteza | 1:2 up to 1:5 |
| Ideal ratio for Artist’s Loft | 1:1 |
| Ideal ratio for glue mixture | 70% glue to 30% water or 75% glue to 25% water |
| Ideal ratio for craft paints | 1:1 |
| Ideal ratio for better quality paint | 1:2 up to 1:5 |
| Ideal ratio for Arteza Premium | ~3:1 |
| Ideal ratio for Liquitex Heavy Body | N/A (not recommended for pouring) |
| Ideal ratio for black and white paint | N/A (varies) |
| Ideal ratio for metallics | N/A (varies) |
| Ideal ratio for GAC 800 | 10:1 |
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What You'll Learn

The ratio depends on the paint's density and colour
The ratio of paint to pouring medium depends on several factors, including the paint's density and colour. While there is no universal indicator of what constitutes student, medium, or professional-grade products, the density of the paint is an important factor in determining the appropriate ratio for pouring.
Density is the ratio of the mass of a substance to its volume, and in the case of paint, it is expressed as the specific gravity of the pigment relative to water. Higher-density paints, such as black, white, and metallic paints, require additional mixing time and a higher ratio of pouring medium to achieve the desired consistency for pouring. For example, a ratio of 3 parts Floetrol to 1 part paint is recommended for thicker paints, with the option to add a few drops of distilled water to achieve the ideal consistency, likened to warm honey.
On the other hand, thinner paints with a higher water content will require less pouring medium, following a ratio closer to 2 parts paint to 1 part medium. It is worth noting that the weight and pigment of the paint may not be as significant as its density and flow characteristics in determining the appropriate ratio.
The colour of the paint can also provide a quick indication of its density. Certain colours, such as titanium white, tend to be heavier and will sink to the bottom of pours, while lighter pigments like yellows will rise to the surface. Additionally, the brand and type of paint can impact density, with some brands providing density information upon request.
It is important to note that experimentation is key when it comes to finding the right ratio for your specific paint and medium combination. Artists are encouraged to explore different brands, ratios, and consistencies to find what works best for their unique needs and preferences.
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The consistency of the paint mixture is key
The ratio of paint to pouring medium is important to achieve the desired consistency. A common ratio for a beginner paint pouring recipe is 1 part paint to 1 part medium, with a small amount of water added as needed. However, this ratio can vary depending on the brand and type of paint, as well as the specific pouring medium being used. For thicker, heavy-bodied paints, a higher ratio of medium to paint may be needed, such as 3:1 or 4:1. On the other hand, less expensive fluid acrylics should maintain a lower ratio, such as 2:1.
The colour of the paint can also impact the ratio, as certain colours carry more weight and will require their own special ratios. Black and white paints, for example, are dense paints that will require more medium to achieve the desired consistency.
It is important to note that the actual amounts used are not critical, and there is room for experimentation. You can start by pouring paint and medium into a cup, adding a little water, and stirring. If the paint is too thick, simply add a bit more water until you achieve the desired consistency.
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The type of paint used matters
Firstly, denser paints will generally require more pouring medium to achieve the desired consistency. Black and white paints, for instance, tend to be denser and will need a higher ratio of medium to paint. Metallics also need special consideration as they are heavier than standard colours. If they are mixed too thickly, they will sink through the other colours, and if they are mixed too thinly, they will create a metallic sheen over the finished piece.
Secondly, the colour of the paint can be indicative of its density. Certain colours will carry more weight and will require their own special ratios.
Thirdly, the brand of paint will also influence the ratio. Most brands have similar densities, but some are lighter or heavier than others. Arteza, for example, is considered a high-end brand, but some users have found that it might be more medium-grade when compared to brands like Liquitex or Golden.
It is worth noting that there is no universal indicator of what is considered student grade, medium grade, or professional-grade paint. Therefore, it can be challenging to determine the exact ratio of paint to pouring medium without some experimentation.
To achieve the desired consistency, it is recommended to start with a basic ratio of 1 part paint to 1 part medium and then adjust by adding a small amount of water until the desired consistency, similar to warm honey or syrup, is achieved.
In summary, while the type of paint used does matter, there is no one-size-fits-all ratio for paint to pouring medium. The density, colour, and brand of the paint will all play a role in determining the ideal ratio, and experimentation is often necessary to find the perfect combination.
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The pouring technique affects the ratio
The pouring technique also influences the ratio. For instance, a Dutch pour involves covering the canvas with a layer of white or black paint and then layering other paints in concentric circles. This technique may require a different ratio than a flip cup or direct pour. Additionally, the desired consistency of the paint mixture will impact the ratio. A thinner mixture may be achieved with a higher ratio of medium to paint, while a thicker mixture may require more paint relative to the medium.
The brand and type of paint and pouring medium can also affect the ratio. Different brands may have varying densities and pigment loads, which can influence the ratio needed to achieve the desired consistency. For example, black and white paints are denser and will require more medium to achieve a suitable pouring consistency. Metallic paints also need special consideration as they are heavier than standard colours. If they are too thin, they may create a metallic sheen over the finished piece, while a thicker mixture may cause them to sink through other colours and become barely visible.
The pouring technique can also determine the additives used in the paint mixture. For example, silicone oil can create cells in the paint, while alcohol can form intriguing patterns. Isopropyl alcohol is a cheap additive that creates beautiful cells due to its fast-drying nature. However, it should be added at the end or spritzed on to avoid evaporation. Water is another essential additive that helps achieve the desired consistency. However, adding too much water can weaken the paint and make it runny, resulting in a muddy blend. Therefore, it is generally recommended to add only a few teaspoons or not exceed 50% water in the mixture.
The pouring technique and the desired effect will influence the choice of pouring medium. For instance, Liquitex Pouring Medium is ideal for creating long-lasting art, promoting even flow and drying. In contrast, GAC 800 is the most expensive option, formulated for a high ratio of medium to paint at 10:1. It prevents crazing and fissures, so it is not suitable if those effects are desired in the artwork.
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Additives can be used to create different effects
The ratio of paint to pouring medium depends on the paint's density, brand, and type. For instance, thicker paints require a higher ratio of medium to paint. Black and white paints are dense paints that require more medium to achieve the right consistency. The ratio of paint to medium can also vary depending on the type of pour you're doing, such as a flip cup or a Dutch pour.
Additives are anything you add to your paints to change their appearance, character, or behaviour. They can be used to create different effects and textures in your paint pours. For example, silicone oil creates cells and bubbles, alcohol can create interesting patterns and textures, and pouring medium can improve the consistency and drying time of the paint. Other additives include water, PVA glue, and coconut milk hair serum.
Some additives, such as gloss medium, will make the paint thinner and more transparent, resulting in a glossy finish. On the other hand, a matte medium will produce a more subtle, non-reflective finish. Retarding medium slows down the drying time of acrylic paint, allowing for smooth blending effects. Flow improver, or "wetting agent," thins the paint for use with wash techniques and painting over large areas.
It's important to note that some additives can weaken the colour and adhesion of the paint when overused. For example, while water can be used to thin the paint, it should not exceed 50% of the mixture as it dilutes the colour and binding agents.
Experimenting with different additives and their proportions can lead to unique and beautiful results in acrylic pouring.
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Frequently asked questions
The ratio of paint to pouring medium depends on the consistency of the paint. Thicker paints require a higher ratio of medium to paint. A good starting point is a 3:1 ratio of pouring medium to paint. You can then adjust by adding a few drops of distilled water as needed.
Craft paints generally have a lower pigment concentration and a 1:1 ratio of paint to pouring medium is recommended.
The ratio of paint to pouring medium for fluid acrylics depends on the cost of the paint. More expensive fluid acrylics can be mixed with a very high ratio of pouring medium to paint, generally 4:1 or more. Less expensive fluid acrylics should maintain a 2:1 ratio.
Arteza is a high-quality paint with a high pigment concentration. A 1:2 ratio of paint to pouring medium is recommended.











































