Marcus Chen
In the 2020 comedy-drama film On the Rocks, directed by Sofia Coppola, the characters find themselves in a world of privilege and sophistication. The movie follows a novelist, Laura (Rashida Jones), and her father, Felix (Bill Murray), an art dealer, as they investigate Laura's husband, Dean (Marlon Wayans), whom they suspect of infidelity. At an art dealer's party, Felix and Laura sneak away to admire a painting, a privately owned 1908 Water Lilies by Monet, estimated to be worth a few dozen million. The painting serves as a status symbol and a reflection of the characters' wealth and privilege. The scene where they view the painting is emotionally charged, with Felix sharing a memory of first seeing the painting with Laura's mother. The camera lingers on the painting, inviting the audience to appreciate its beauty and aesthetic value.
| Characteristics | Values |
|---|---|
| Painter | Monet |
| Year | 1908 |
| Title | Water Lilies |
| Estimated Value | A few dozen million |
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What You'll Learn
The painting in the movie is a Monet
On the Rocks, written and directed by Sofia Coppola, follows Laura, a novelist, and her father Felix, a semi-retired art dealer, as they investigate Laura's husband, Dean (Marlon Wayans), who they suspect is having an affair. The film is noted for its opulence, with scenes set in some of New York City's most refined locations, including cocktail bars and art-filled apartments.
The Monet painting is a privately owned canvas, which serves as a status symbol within the film. While the credits indicate that a reproduction of a 1908 Water Lilies painting was used, the film also credits a private collection, suggesting that the original painting may exist in a private collection.
The inclusion of the Monet painting in On the Rocks is indicative of the film's exploration of material culture and the decorative aspects of wealthy, comfortable lives. Coppola litters the background of the film with paintings by artists like Cy Twombly, further emphasising the privileged world of the characters.
The Monet painting serves as a visual representation of the film's themes of privilege, sophistication, and aesthetic judgement. It is a pivotal moment in the film, allowing the audience to engage with the characters' appreciation of art and beauty.
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It's a reproduction of a 1908 Water Lilies painting
The 2020 American comedy-drama film On the Rocks, written and directed by Sofia Coppola, is a father-daughter story. It follows Rashida Jones's character, Laura, a novelist, and her father, Felix, played by Bill Murray, a wealthy, semi-retired international art dealer.
The film is set in a world of privilege and sophistication, with Laura living in a tastefully decorated SoHo apartment with her husband, Dean (Marlon Wayans), and their two young daughters. Felix, on the other hand, is a throwback to an earlier era, turning up outside his daughter's building in a vintage sports car with a chauffeur.
At one point in the film, Felix and Laura attend an art dealer's party. They sneak away from the party to examine a painting in an adjacent room. This painting is a reproduction of Monet's 1908 Water Lilies, on loan from a private collection, estimated to be worth a few dozen million. The characters' conversation grows slower and quieter as they take in the beauty of the artwork, with Felix even recounting seeing the painting for the first time with Laura's mother.
The inclusion of this valuable artwork adds to the sense of opulence and privilege that permeates the film, with each scene packed with artefacts of contemporary urban extravagance.
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The characters stare at the painting in awe
In the 2020 comedy-drama film On the Rocks, directed and written by Sofia Coppola, the characters stare at a painting in awe. The painting in question is a Monet, specifically a 1908 Water Lilies, which is estimated to be worth a few dozen million.
The scene in question takes place at a party, where Laura (Rashida Jones) and her father, Felix (Bill Murray), sneak away to admire the privately owned painting. Felix, a semi-retired art dealer, recounts seeing a similar painting with Laura's mother in a hushed, emotional tone. The camera lingers on the painting, inviting the audience to appreciate its beauty and value, just as the characters do.
This moment in the film is significant as it showcases the privileged and opulent world that the characters inhabit. The painting serves as a status symbol, and the setting of the art party further emphasizes the wealth and sophistication of Laura and Felix's social circle.
The characters' awe and appreciation for the painting also reveal their subjective experiences and emotions. Felix's emotional connection to the painting, through his memory of Laura's mother, adds depth to his character. Laura's admiration of the painting reflects her own quest for meaning and beauty in her life.
The inclusion of the Monet painting in the film is also a testament to Coppola's attention to detail and her interest in exploring material culture. By including such artistic references, Coppola adds layers of meaning and depth to the story, elevating it beyond a simple father-daughter tale or romantic comedy.
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The painting is loaned from a private collection
In the 2020 comedy-drama film On the Rocks, directed and written by Sofia Coppola, the characters Laura (Rashida Jones) and her father Felix (Bill Murray) are seen admiring a painting at an art dealer's party. The painting in question is a Monet, loaned from a private collection, according to the film's credits.
The painting is a status symbol, with Felix, a wealthy semi-retired international art dealer, recounting how he first saw the painting with Laura's mother. The scene suggests a shared appreciation for art between Felix and Laura, and the camera remains focused on the painting even after the characters walk away, inviting the audience to appreciate it as well.
While the specific Monet painting is not named, sources indicate that the film features paintings by artists like Cy Twombly and Monet, loaned from private collections. At one point, Felix and Laura slip away from a party to admire a privately owned canvas, which, according to the credits, is a reproduction of a 1908 Water Lilies painting, estimated to be worth a few dozen million.
The inclusion of these paintings adds to the opulent and sophisticated atmosphere of the film, which explores the privileged world of its characters. Coppola litters the background with these artistic references, contributing to the material culture that defines the lives of Laura and Felix. The film, therefore, not only tells a story of father-daughter dynamics and marital suspicions but also showcases the beauty and status associated with fine art.
The loaning of the painting from a private collection adds an element of exclusivity to the film, reflecting the privileged lives of its characters and reinforcing the theme of wealth and privilege that runs throughout.
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The painting is a status symbol
In the 2020 comedy-drama film On the Rocks, directed by Sofia Coppola, the painting is indeed a status symbol. The movie follows a father-daughter duo, Felix and Laura, as they embark on a series of adventures across New York City, trailing Laura's husband, Dean, to uncover whether he is having an affair. Felix, a wealthy, semi-retired international art dealer, is a lover of art and beauty.
At an art dealer's party, Felix and Laura sneak away to admire a privately owned painting, a Monet from 1908 titled Water Lilies, valued at a few dozen million. The scene is poignant, with Felix recounting seeing the painting for the first time with Laura's mother. The camera lingers on the painting, inviting the audience to appreciate its beauty and value, just as the characters do. This act of sharing a moment of appreciation for a priceless work of art is a powerful indicator of their shared privilege and taste for the finer things in life.
The painting serves as a symbol of their high social status and refined taste. It is a marker of their wealth and exclusivity, accessible only to those within certain elite circles. The painting is not just a decorative piece but a testament to their cultural capital and sophisticated sensibilities. The characters' ability to recognise and appreciate such a renowned work of art reinforces their privileged position in society.
Furthermore, the painting reflects Felix's character as a wealthy art dealer with a penchant for the beautiful and extravagant. His profession provides an excuse for Coppola to fill the background of the film with paintings by renowned artists, further emphasising the status and luxury associated with the characters' world. The Monet painting, in particular, serves as a powerful symbol of their refined taste and high social standing within the art world and elite society.
The inclusion of such a valuable and famous painting within the film reinforces the idea that the characters occupy a privileged and exclusive sphere, where ownership of such artworks is possible. It adds a layer of opulence and luxury to the narrative, contributing to the overall aesthetic of wealth and sophistication that defines the world of On the Rocks.
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Frequently asked questions
The film features a reproduction of a 1908 Water Lilies painting by Monet.
The painting is shown at an art dealer's party. Felix and Laura sneak off to view the painting in an adjacent room.
Felix and Laura pause before the painting, and their conversation slows. Felix recounts first seeing the painting with Laura's mother. Laura stays staring at the painting after Felix walks away.
The low buzz of the art party fades and is replaced by high, quasi-celestial electronic music. The camera stays fixed on the painting, encouraging the audience to appreciate it.
The painting is estimated to be worth a few dozen million.
