
Joseph Mallord William Turner's Rain, Steam and Speed – The Great Western Railway is an oil painting from the 19th century that depicts an oncoming train during a summer rainstorm. The painting is known for its impression of great speed and emotional tension, created by the combination of natural and technological elements. Among these elements is a hare, running along the track in front of the train, which has become difficult to spot due to the transparency of the paint over time. This detail, possibly symbolizing speed, invites comparison between the natural world and the mechanized speed of the train.
| Characteristics | Values |
|---|---|
| Location of the hare | Running along the track in the bottom right of the painting, midway along the rail track |
| Visibility | Invisible now as the paint has become transparent with age |
| Speed | Running faster than the train, possibly symbolizing speed itself |
| Reference | The hare is a reference to the limits of technology |
| Representation | The hare represents the speed of the natural world in contrast to the mechanized speed of the engine |
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What You'll Learn

The hare is a symbol of speed
The hare in Turner's painting "Rain, Steam and Speed – The Great Western Railway" is indeed symbolic of speed. The painting, which depicts an oncoming train during a rainstorm, captures the thrilling essence of speed and the emotional tension between the natural world and the technological advancements of the time.
The hare, running along the track in front of the train, represents the speed of the natural world in contrast to the mechanized speed of the locomotive. This contrast is further emphasized by the inclusion of a small boat on the river and a man driving a horse-drawn plough, both slower and non-mechanized forms of transport. The idea of a chase or a race between the hare and the train adds to the sense of speed and movement within the painting.
The artist himself, according to George Leslie, intended the hare to symbolize speed rather than the train. This interpretation is supported by the fact that hares are known for their swiftness and agility, and in the context of the painting, the hare is depicted as sprinting at full speed, attempting to stay ahead of the state-of-the-art technology of the mid-1800s.
The painting, created during the Industrial Revolution, reflects the massive shift from an agrarian economy to one dominated by machine manufacturing. The railway, as a potent symbol of industrialization, heavily impacted social and industrial life. Turner's inclusion of the hare as a symbol of speed showcases his interest in exploring the interplay between nature and technology and how it affects our emotions and perception of the world.
In conclusion, the hare in Turner's "Rain, Steam and Speed" is a powerful symbol of speed, representing the natural world's swiftness and agility in contrast to the mechanized advancements of the time. Through this symbol, Turner invites viewers to reflect on the impact of technological progress and its place within the broader forces of nature.
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Turner's use of perspective
J.M.W. Turner's painting "Rain, Steam and Speed – The Great Western Railway" is renowned for its depiction of speed in a static image, showcasing the artist's mastery of perspective. This essay will explore Turner's use of perspective in the painting, specifically highlighting the inclusion of the hare as a central element within the composition.
Turner's painting captures the dynamic interplay between nature and technology, with the railway serving as a potent symbol of industrialization. The composition is characterized by its diagonal recession, a technique Turner employed to great effect in his previous works. The diagonal line of the railway track cutting across the landscape creates a sense of depth and movement, drawing the viewer's eye towards the horizon. This perspective emphasizes the speed and momentum of the train as it rushes towards the viewer.
The hare, a late addition to the painting, is positioned roughly midway along the rail track, running ahead of the train. Its presence introduces a sense of dynamic contrast, representing the speed of the natural world in relation to the mechanized speed of the train. The hare, being a traditional symbol of speed, adds a layer of symbolic depth to the composition. Turner's use of perspective in this detail is intriguing. The hare is depicted in motion, streaking ahead of the train, yet it is not presented as threatened by the oncoming locomotive. This portrayal suggests a natural exemplar of the technological achievements represented by the train.
Turner's treatment of the landscape further enhances the sense of speed and movement. The hazy and unreal atmosphere, created by the merging of mist, rain, and steam, blurs the solid elements of the composition. The train and bridge, rather than being sharply defined, disappear into the mist, contributing to the overall sense of dynamic flux within the scene. Turner's use of short, broad brushstrokes and impasto techniques adds to the atmospheric tonality of the painting, capturing the fleeting nature of the scene.
In conclusion, Turner's use of perspective in "Rain, Steam and Speed – The Great Western Railway" is integral to the painting's impact. The diagonal recession of the railway track, the dynamic contrast between the train and the hare, and the hazy atmosphere all contribute to the sense of speed and movement. Turner's mastery of perspective allows him to convey complex ideas about the interplay between nature and technology, creating a visually striking and conceptually rich work of art.
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The hare is a symbol of nature
In J. M. W. Turner's painting "Rain, Steam, and Speed – The Great Western Railway", a hare runs along the train track, ahead of an oncoming train. The hare, which was added to the painting after the initial composition was completed, is now invisible, as the paint has become transparent with age. However, it can still be seen in an 1859 engraving of the painting.
The hare in Turner's painting is a symbol of nature. It represents the speed of the natural world in contrast to the mechanized speed of the train. The artist George Leslie observed that the hare, not the train, was meant to embody speed. This interpretation is supported by the presence of a boat and a man driving a horse-drawn plough in the painting, both of which are examples of slower, non-mechanized forms of transport.
The hare also symbolizes the power of nature in relation to technology. As art historian John Gage noted, Turner's painting is an allegory of the forces of nature, including rain, sunlight, and steam. The hare running ahead of the train can be seen as a reference to the limits of technology and a reminder that nature cannot be outpaced or overcome. This interpretation is reinforced by the fact that the painting was created close to the end of the Industrial Revolution, a time when industrialization and machine manufacturing were transforming social and industrial life.
Furthermore, the hare can be seen as a symbol of the transition from the past to the future. In the painting, the train represents modern technology and speed, while the hare embodies the natural world and pre-industrial life. This theme of transition is also reflected in Turner's earlier works, such as "Battle Abbey: the Spot Where Harold Fell" and "Apollo and Daphne", where he portrayed a hare being chased. In "Rain, Steam, and Speed", the hare running ahead of the train creates a sense of tension and the modern observer might fear that the hare could be crushed by the advancing technology.
Overall, the hare in Turner's painting serves as a powerful symbol of nature, speed, and the forces of the natural world in relation to industrialization and technological change.
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The hare is hard to spot
The hare in Turner's painting "Rain, Steam and Speed – The Great Western Railway" is hard to spot. This is partly because the paint has become transparent with age, but also because of the way the painting was created. Turner used short, broad brushstrokes and thick impasto with a palette knife to create an atmospheric tonality, and the hare was a late addition, lightly brushed on top of the existing paint.
The painting depicts a steam engine crossing the Maidenhead Railway Bridge in the rain, with the train heading towards London from the east. The viaduct is abruptly foreshortened, giving the impression of great speed. The train itself is dark and rain-shrouded, with the mist, rain, and steam creating a hazy and unreal atmosphere. The hare, running along the track ahead of the train, is a small detail that can be easy to miss.
The hare is located in the bottom right of the painting, between the tracks in front of the train, level with a boat that can be seen on the river to the left. It is a tiny detail, and at first glance, the painting appears to be a landscape full of movement and power, with the heavy rain and the approaching train taking centre stage. However, the hare is an important symbol, possibly representing speed itself or the limits of technology.
The inclusion of the hare adds to the emotional tension of the painting, as it introduces the idea of a chase, with the steam train and the hare racing each other. This tension is further heightened by the contrast between the modern, mechanized speed of the train and the natural speed of the hare, representing the forces of nature. The hare, with its ability to outpace the train, also serves as a reminder of the power of nature in the face of industrialization.
To see the hare in Turner's painting, it is helpful to look beyond the initial impression of movement and power and focus on the smaller details. By slowing down and taking the time to explore the painting, viewers can discover the quiet moments within the fast-paced world depicted by Turner.
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The hare is running from technology
In J. M. W. Turner's painting "Rain, Steam and Speed – The Great Western Railway", a hare runs along the train track, ahead of an oncoming train. The hare is now invisible, as the paint has become transparent with age, but it can be seen in an 1859 engraving of the painting.
The painting, created towards the end of the Industrial Revolution, combines the power of nature and technology to create an emotional tension associated with the concept of the sublime. The train, a symbol of industrialization, represents the convergence of technology and natural forces. The hare, on the other hand, represents the speed of the natural world in contrast to the mechanized speed of the train.
The hare in Turner's painting can be interpreted as running from technology. It is as if the steam train and the hare are racing each other, with the hare trying to stay ahead of the state-of-the-art technology of the mid-1800s. The painting captures the thrilling essence of speed and the emotional impact of new technology, inviting viewers to reflect on the transition from the past towards the future.
The hare symbolizes speed and the limits of technology. It is a reminder of the pre-industrial era, representing non-mechanized activity. In the painting, the hare is likely to outpace the train, but the modern observer might feel that the hare could be crushed by the oncoming locomotive. This tension between the natural world and technology is a central theme in Turner's work, as he explores the impact of new forms of transport on society and the environment.
In conclusion, the hare in Turner's painting "Rain, Steam and Speed – The Great Western Railway" can be interpreted as running from technology. The hare represents the natural world, speed, and the limits of technology, while the train symbolizes industrialization and the convergence of technology with nature. This contrast between the hare and the train creates an emotional tension that captures the essence of the Industrial Revolution and the transition to a new era.
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Frequently asked questions
The hare is now invisible as the paint has become transparent with age, but it can be seen in an 1859 engraving of the painting.
The hare is located roughly midway along the rail track, in the bottom right of the painting.
The hare in the painting likely symbolises speed, representing the speed of the natural world in contrast to the mechanised speed of the train.
The hare in the painting may evoke a sense of excitement or tension, as it appears to be racing against the train, with the possibility of being crushed.
The hare is a recurring motif in Turner's work, often depicting animals in motion or being chased, such as in "Battle Abbey: The Spot Where Harold Fell" and "Apollo and Daphne".











































