
The New York Times has covered a variety of art exhibitions and installations over the years. From the surreal billboards of the Gannett Outdoor Group campaign in 1992 to the anticipated art shows of 2025, the publication has offered its readers a diverse range of artistic experiences. One notable exhibition reviewed by the Times is High-rise heaven, featuring the works of female artists who painted New York City by looking out of their windows, capturing the ever-changing cityscape. The Times has also highlighted exhibitions such as Vaginal Davis: Magnificent Product at MoMA PS1, Spectrum of Desire: Love, Sex and Gender in the Middle Ages at the Met Cloisters, and the architectural debuts of newly built spaces for art, such as the Studio Museum in Harlem.
| Characteristics | Values |
|---|---|
| Number of panels | 8 |
| Largest panel dimensions | 14 feet high and 48 feet long |
| Bus-shelter poster dimensions | 46-by-67-inch |
| Photographers | Chip Simmons, Stephane Sednaoui |
| Drawing contributor | Gary Panter |
| Other contributors | Andrew Bettles, Albert Sanchez, Marlus van Leeuwen |
| Collection display locations | New York, New Jersey, Connecticut, and 15 other metropolitan areas |
| Collection display end date | March 10 |
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What You'll Learn

Lois Dodd, Jane Freilicher and Alice Neel's paintings of New York
Lois Dodd (b. 1927) is an American painter and educator who played a significant role in New York's postwar art scene. She co-founded the Tanager Gallery, an integral part of the Tenth Street-avant-garde movement of the 1950s. Her paintings often depict landscapes, windows, and interiors of her homes in New York, New Jersey, and Maine. She is known for her observational paintings, capturing the beauty of everyday life. Her work includes views of New York City's Lower East Side from her apartment windows, showcasing her unique perspective.
Jane Freilicher, a Brooklyn native, developed a distinctive style of painterly realism over six decades. Her work includes sweeping Long Island landscapes, captivating Manhattan views, and intimate still lifes. Freilicher's paintings evoke emotions beyond words, with a slightly melancholy yet accepting spirit. She exhibited her work at the Tibor de Nagy Gallery in New York and received numerous honours during her prolific career.
Alice Neel (1900-1984) was an American visual artist known for her figurative paintings during a time when abstraction was favoured. Her work challenged traditional nude depictions of women by presenting them through a female gaze, addressing the objectification and effects of the male gaze. Neel painted hundreds of portraits, seeking to express the inner lives of her diverse subjects, including friends, family, artists, writers, and political activists. New York City served as her greatest muse, and her work reflected her commitment to social justice and humanist principles.
These three artists, Lois Dodd, Jane Freilicher, and Alice Neel, each contributed uniquely to the art world, particularly in their depictions of New York and its surroundings. Their paintings offer a glimpse into their individual styles, influences, and interpretations of the world around them, leaving a lasting impact on the artistic landscape of New York and beyond.
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Billboards by the Gannett Outdoor Group
The Gannett Outdoor Group's vice president for communication, Cher Suserud, defended the artwork, stating that it should be appreciated as a whole rather than in descriptive fragments. She explained that the campaign invites viewers to "Turn Your Mind Inside Out," encouraging them to rethink the way they perceive the world and approach problems.
The billboards by the Gannett Outdoor Group are a unique form of advertising that challenges traditional notions of art and public spaces. By presenting surreal and thought-provoking imagery, the campaign not only promotes the company's services but also offers a distinctive artistic experience to millions of people who may not typically engage with art.
The campaign blurs the lines between advertising and art, creating a conversation piece that invites viewers to interpret the images and form their own opinions. The combination of established artists and unconventional subject matter elevates the billboards beyond mere advertisements, transforming them into a public art exhibition that challenges and captivates its audience.
The Gannett Outdoor Group's initiative is a powerful demonstration of how advertising can be creatively utilized to engage and impact a broad audience, offering a fresh perspective on the potential of outdoor media. By doing so, the company has successfully attracted attention and sparked discussions that extend beyond their target market.
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Jacques-Louis David's exhibition in Paris
The Musée du Louvre in Paris hosted a major exhibition on Jacques-Louis David, the celebrated French painter of the French Revolution and Napoleon, from 15 October 2025 to 26 January 2026. Curated by Sébastien Allard, General Conservator of Heritage and Director of the Department of Paintings at the Louvre, and Côme Fabre, Heritage Conservator of the Department of Paintings, the exhibition was simply titled "Jacques-Louis David."
The exhibition aimed to highlight the inventiveness and expressive power of David's paintings, which are more intensely charged with feeling than their imposing rigour suggests. It brought together about 100 exceptional loans, including the imposing fragment of the Oath of the Pallacord from the Palace of Versailles, and the original version of the famous Assassinated Marat from the Royal Museums of Fine Arts of Belgium in Brussels.
David, who was born in Paris in 1748 and died in exile in Brussels in 1825, navigated vast artistic and political divides throughout his life. His iconic works captured the aspirations and suffering of a nation, addressing timeless themes that continue to resonate today. The Louvre exhibition, organised chronologically, featured more than eighty drawings and oil sketches, including rarely loaned or newly discovered works from the collections of the Louvre and dozens of other institutions.
The exhibition presented a new synthesis of David's career, revealing the unprecedented richness of his artistic and political activity. It shed light on his role as a prominent social actor during a formative period in French history, spanning six political regimes, and his active participation in the Revolution. David's importance was unmatched in his day, not only for his Europe-wide artistic influence but also for the high political offices he held alongside Robespierre from 1793 to 1794.
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Kyiv Biennial
The Kyiv Biennial is an international biennial contemporary art exhibition held every two years in Kyiv, Ukraine. The event is organised by the Visual Culture Research Center and was founded in 2015 with its inaugural event, "The School of Kyiv". The first edition included six "schools" or conceptual platforms that promoted dialogue between Ukrainian and international artists, intellectuals, and the public.
The third Kyiv Biennial, "Black Cloud", was held from 10 October to 23 November 2019 and focused on the political and cultural role of modern information technologies, as well as social transformations in Eastern Europe over the past three decades. The main locations for this edition were the KPI Library and the House of Cinema.
The fourth biennial, "Allied", was held from 16 October to 14 November 2021 in the House of Cinema building in Kyiv. This edition focused on collaboration between art communities in Eastern Europe.
The fifth edition of the Kyiv Biennial took place internationally across Europe in Kyiv, Ivano-Frankivsk, Uzhhorod, Vienna, Warsaw, and Berlin. This iteration of the event seemed uncertain due to the Russian invasion of Ukraine, however, it went ahead with a cascade of openings, starting in Kyiv and Vienna.
The sixth Kyiv Biennial in 2025 will again take place in multiple locations across Europe, with the main exhibition being held at the Museum of Modern Art in Warsaw. This edition will feature over ten new artists' commissions, works from members' collections, and international loans. The last of the exhibitions to open as part of the 2025 biennial will be Vertical Horizon at the Lentos Kunstmuseum Linz, which explores the artistic representations of land and landscape as political actors.
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Vaginal Davis: Magnificent Product at MoMA PS1
This fall, MoMA PS1 will present a major exhibition of Vaginal Davis, a performer, visual artist, author, filmmaker, musician, educator, self-proclaimed "Blacktress," and countercultural icon. The exhibition, titled Vaginal Davis: Magnificent Product, will make its US debut on October 9, 2025, after being presented at the Moderna Museet in Stockholm and the Gropius Bau in Berlin.
Vaginal Davis: Magnificent Product will span five decades of Davis' practice and will include major installations, video, paintings, zines, audio works, sculptures, and cross-disciplinary collaborations, as well as extensive archival materials. The exhibition is organized thematically and spotlights Davis' role as an underground trailblazer in art, music, performance, and queer politics, as well as her uncompromising glamour.
The presentation at MoMA PS1 is organized by Jody Graf, Associate Curator, and Sheldon Gooch, Curatorial Assistant. The exhibition is part of a collaboration between the Moderna Museet in Stockholm, the Gropius Bau in Berlin, and MoMA PS1 in New York. The chapters at partner institutions were organized in collaboration with various institutions and curators.
Vaginal Davis, born in 1969, is an American artist, writer, and performer who made Berlin her home in 2012. Her work combines punk, glamour, queer activism, Black counter-culture, resistance, and desire. The exhibition at MoMA PS1 will showcase the full breadth of her expansive, unruly, and ever-relevant practice, including an archival display focused on her early career in Los Angeles in the 1980s and 1990s.
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Frequently asked questions
I am unable to find an article about a painting in the New York Times. Please provide more details.
I cannot find specific references to paintings in the New York Times. However, the publication frequently mentions art exhibitions and artists.
The New York Times has reviewed and mentioned various art exhibitions, including "Vaginal Davis: Magnificent Product" at MoMA PS1, "Spectrum of Desire: Love, Sex and Gender in the Middle Ages" at the Met Cloisters, and "Monuments" at the Museum of Contemporary Art in Los Angeles.
Yes, Holland Cotter is the co-chief art critic and a senior writer for the Culture section of the New York Times.










































